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Classical Voice North America
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Around the U.S.
From Music’s Castoffs, Festival Puts Together Concert Of Discovery
Wine-And-Music Fest Raises Glass In Honor Of America’s Birthday
With Ghostly Clarity, Elusive Britten Opera Wafts Into Substance
On ‘Alpine’ Peak, Fiery New Bird Spreads His Wings With Chicago…
Spiced Seasonings: Spring Music, Dash Of Pepper At Summer Fest
Canada
Monteverdi’s ‘Orfeo,’ Semi-staged And Lean, With A Modernist Touch
Montreal Orchestra Displays Rapport With Diversity Of Americana
No Sets, No Costumes, But Music, Imagination Fire Concert ‘Turandot’
On An Ambitious Spring Trek, Singer And Pianist Cycle Through Schubert
Oh, You Kid! As Young Musicians Rise, Slatkin Shows Veteran Finesse
World
Is This A Weed I See? Amid Wagner’s Blooms, ‘Rienzi’ Raises…
Very Today ‘Walküre,’ Penderecki Celebration Highlight Baltic Festival
Paris’ Musical Culture Showcases Its Splendor In A Time Of Transition
London Zeal For Music Tells As Crowds Cheer ‘Peter Grimes,’ Wagner
Rossini’s ‘Cenerentola,’ Centuries-Late Premiere Reward Paris Excursion
Digital
Unearthing, Restoration Of Old Recordings Puts Music’s Arc In New Light
LOUD Percussion Piece Migrates To Recording; Lose Those Earplugs
In A Recording Profile, Music Of Many Faces Has Snapshot Moment
Beckett’s ‘Endgame’ Gets An Operatic Spin As Wry As The Original
Sinking Petals, Ozone, Nature’s Quiet Sorrow: Songs Of The Earth
Perspectives
As He Signs Off In LA, Gustavo Dudamel Can Claim Imposing…
Composer Ruminates On Work Sprung From Novel On ‘Classical Gas’
Silver Screen Concert Reflects Starring Roles For Women Composers
The Battle Of Boston: Critic’s Words Resound In ‘Defending The Music’
100 Years Ago, Electric Recording Injected New Spark In Music’s Legacy
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Rienzi
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Rienzi
International
Is This A Weed I See? Amid Wagner’s Blooms, ‘Rienzi’ Raises Its Head
Klaus Billand
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August 3, 2026
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