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Classical Voice North America
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Around the U.S.
Some Sins, Some Jazz: Concert Portrait Of One City’s Rich Musical…
Celebrating 50 Years, Music School Spotlights Its Own With Premieres
After A Long Absence, ‘Parsifal’ At SF Opera Approaches Holy Grail
Maestro, Sound System Both Take First Bow On Londoners’ Tour Of…
Birthday Concert Turns Into ‘Living Room’ Party For Esperanza Spalding
Canada
On All-Sibelius Program, Symphonies Ruled, But Violin Concerto Soared
A Deep Dive Into Chopin After Splashing Surface Of Grieg And…
Conductor On The Fly Pauses To Give Mahler Breath, Scope Of…
Countertenor, A Funky Band, And Arcane Rep. Impression: Meh-Plus
Elegant Quartet Affirms Grosse Fuge As Fixture (See Cellphone For Info)
World
Wild ‘Mandarin,’ Intense ‘Bluebeard’ Conjoined As Lurid Bartók Twin Bill
Nilsson Prize Cites Aix For Artistic Excellence And Opera Development
‘Tannhäuser’ Twice: Seduction, Deliverance In Vienna And Geneva
Spreading Its Wings, Concert World Enfolds Composers On Margins
Quartet Of Productions A Stellar Start For New Boss At Zurich…
Digital
Early-Music Recordings Capture Antiquity And Its Modern Reflections
Songs Without Words: Reimagining Poulenc For Violin And Piano
With A Swell Of Voices, Recording Embellishes Florence Price Legacy
Departing On Track 16: Board Here For The Best View Of…
In Hungarian Recording Of Mythic French Opera, Style Reigns With King
Perspectives
Conjuring Varèse In 100 Flute Commissions, On ‘Classical Gas’ Podcast
As S. Korea’s Birth Rate Drops, Classical Music Needs A Creative…
Nights In Opera Gardens Of Spain: Delights From Zarzuela To ‘Wozzeck’
Coming-Of-Age Memoir Chronicles Life Abloom Amid Musical Legends
Quartet Founder Talks Beethoven, Bob Dylan On New ‘Classical Gas’
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Queen of Spades
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Queen of Spades
Perspectives
Double Dealing: Sharp Contrast In Two Takes On ‘Queen Of Spades’
James L. Paulk
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July 8, 2025
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