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Classical Voice North America
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Around the U.S.
Soprano On Schoenberg And Moonstruck Pierrot: Wein’s Classical Gas 2.0
Chi-cago, Chi-cago, That Musicological Town: Let Me Show You Around
Explorers And A Mixed Vocal Troupe Dig Into New ‘Aida’ At…
New-Wave Conductor’s Chicago Concert Shows Sea Change On Podium
‘Gurrelieder,’ Grandiose But Gentler Schoenberg, Blossoms Under Mehta
Canada
‘Hamlet’ Opera Revived, But In Sooth, This Play Was Not The…
In Concerto ‘Fandango,’ Violin Spins Old Forms Into Bright New Dances
Orchestra’s ‘Wake Up!’ Sets Up Season Opener That’s ‘Pictures’-Perfect
As Bruckner Turns 200, Fleshing Out The Ninth With Prelude, Epilogue
Born Of A Competition, String Quartet Festival Carves Its Own Niche
World
Paris Voices: A Sojourn From Modernism To Raw Take on ‘Rigoletto’
Schoenberg Anniversary Celebrated In Concerts That Honor Modernists
Greek Wins Conducting Competition; Japanese Hosts Merit Gold, Too
Mahler On Home Turf: 7th Symphony Heard At Site Of Czech…
Through Different Prism: Rachmaninoff, Wagner As Festival Novelties
Digital
Profile Of A Monk, Cast In Resonant Lines Of Renaissance Polyphony
Bryce Dessner’s ‘Solos’ Recording Is A Paradox: It’s About Connections
Ambitious Album Casts Light On The Composer Inside Conductor MTT
Musical Cultures Meld In Renaissance-Based CD Creatively Spiced
Shedding Words, Two Ensembles Articulate Charm Of Early Music
Perspectives
Renaissance Man Looks Into Music’s Mirror And Sees Humanity’s Image
Challenging Art Of Ives Launches New Podcast Hosted By Gail Wein
Denk Celebrates Ives, That Thorny American, In Anniversary Recital
Amid The Tour Baggage, Clear Signs Of A Bond Between Maestro,…
Smoking Performances At U.K. Opera Houses Now Under Political Fire
Our Critics’ Picks
Aspen Festival To Mark 75 Years As Wellspring Of Musical Nourishment
Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
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Only the Sound Remains
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Only the Sound Remains
Around the U.S.
Saariaho’s ‘Sound’ Casts Subtle Spell In U.S. Premiere
Susan Brodie
-
November 25, 2018
International
Noh Plays Inspire New Magic From Saariaho, Sellars
Johanna Keller
-
March 25, 2016
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