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Classical Voice North America
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Around the U.S.
Día De Los Muertos: Supercharged Concert Rings With Festive Life
Beleaguered Orchestra And New Music Director Hitch Wagon To Mahler
New England Dreaming: Small City’s Dedication Has Orchestra Thriving
Conductor Eun Sun Kim, Emerging Wagner Star, Leads Dazzling ‘Tristan’
Death Of Garcia Lorca, More Gritty Than Grand, Brings Flamenco To…
Canada
In Concerto ‘Fandango,’ Violin Spins Old Forms Into Bright New Dances
Orchestra’s ‘Wake Up!’ Sets Up Season Opener That’s ‘Pictures’-Perfect
As Bruckner Turns 200, Fleshing Out The Ninth With Prelude, Epilogue
Born Of A Competition, String Quartet Festival Carves Its Own Niche
Festival Performance, Listeners On Point For Mahler 7th Symphony
World
Greek Wins Conducting Competition; Japanese Hosts Merit Gold, Too
Mahler On Home Turf: 7th Symphony Heard At Site Of Czech…
Through Different Prism: Rachmaninoff, Wagner As Festival Novelties
Weinberg Opera Rarity And ‘Hamlet’ In Concert Score High At Salzburg
Spontini Opera Revival Preserves Music, Adds Screams, Tosses Story
Digital
Musical Cultures Meld In Renaissance-Based CD Creatively Spiced
Shedding Words, Two Ensembles Articulate Charm Of Early Music
Recording, Reassessing Saariaho Opera Whose Worth Is Still Unknown
Robeson Compendium: Like Trailblazing Artist, CD Set Is Monumental
Three Decades Later, Hamelin Revisits Depths Of The ‘Hammerklavier’
Perspectives
A Singer Sees The Light In Dark World Of Music Suppressed…
After Opening Plaudits, Even Best New Operas Face An Unsure Future
Even Greatest Voices Can Succumb To Nerves Or Imbibing Nasty Stuff
Seeking Higher Crest, Escher String Quartet Rides Wave Of Bartók
Visionary Koussevitzky Will Be Celebrated In Tanglewood Concerts
Our Critics’ Picks
Aspen Festival To Mark 75 Years As Wellspring Of Musical Nourishment
Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
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Lyric Opera of Chicago
Tag: Lyric Opera of Chicago
‘West Side Story’ Told As Music-Drama, Its Tragic Veracity Intact
David Patrick Stearns
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June 30, 2023
Opera Triptych Paints Loneliness, Rage, Hope On A Troubled Planet
Nancy Malitz
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March 29, 2023
‘Factotum’: The Barber, The Criminal, And Vibe Of A Black Urban...
Lawrence B. Johnson
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February 8, 2023
Verdi’s ‘Don Carlo(s)’ Given Both Treatments In New York, Chicago
David Shengold
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November 17, 2022
Verdi’s Early ‘Ernani’ Soars As Stellar Cast Lights Up Fraught Tale
Timothy Lindeman
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September 25, 2022
Opera Is Back – Hooray! As For The Rude Voice That...
Matthew Gurewitsch
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September 25, 2021
As Pandemic Retreats, Chicago’s Lyric Opera Plans Epochal Restart
Lawrence B. Johnson
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May 19, 2021
Drive-Thru ‘Twilight’ Whittles Wagner’s Epic To Garagiste Opera
Lawrence B. Johnson
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April 28, 2021
Star Of ‘Ariodante,’ Out For Opener, Returns In Style
Nancy Malitz
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March 9, 2019
Whimsy Wields Sharp Sword In Mixed ‘Siegfried’
John von Rhein
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November 6, 2018
Festival Salutes Bolcom, Essential American, On 80th
Kyle MacMillan
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July 10, 2018
An Old Bargain Yields New Vocal And Visual Riches
Lawrence B. Johnson
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March 6, 2018
‘Ring’ At Midpoint: Love Is Reflected In A Harsh Mirror
Nancy Malitz
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November 5, 2017
Lyric And Joffrey Team On Elegant ‘Orphée et Eurydice’
Lawrence B. Johnson
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September 26, 2017
Mozart’s Magical Majesty And Mirth Mined In Chicago
Lawrence B. Johnson
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December 14, 2016
From Fall Of Troy To Carthage Pyre: Berlioz In Chicago
Roy C. Dicks
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November 20, 2016
Wry Spirit Rules As Chicago Lyric Launches Its ‘Ring’
Nancy Malitz
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October 4, 2016
Arts Groups Tweak Sights, Aiming For A Younger Crowd
Nancy Malitz
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May 19, 2016
Extra Special: Evolving Role Of Supernumeraries
Barbara Jepson
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December 16, 2015
López-Cruz Opera ‘Bel Canto’ Reveals Stellar New Team
Nancy Malitz
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December 11, 2015
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Classical Voice North America