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Classical Voice North America
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Around the U.S.
2 Off-The-Wall Operas, One Starring A Cello, One A Singing Dummy
‘The Shining’ As Opera Is Mad, Brutal, Tragic In A Horrifically…
A ‘Cosi’ Full Of Laughs (The Girls Are Clued In) But…
Starry ‘Indigo Heaven’ Concerto Is Principal Clarinet’s Sparkle Time
Music Fest Summons Its Summer Warmth In The Intimacy Of Winter
Canada
Amid Candy Hawkers, Spirited New-Music Fest Offers Plenty Of Crunch
Soft Were The Sounds, Their Meaning Tacit, That The Takács Spun
With Just Piano, Mozart In Vast Space, Yundi Li Strikes A…
‘Hamlet’ Opera Revived, But In Sooth, This Play Was Not The…
In Concerto ‘Fandango,’ Violin Spins Old Forms Into Bright New Dances
World
As Tradition, Virtuosity Command Center Stage, A Festival Seeks Identity
Double Dose Of ‘Norma’ Offers Rewards But Also Begs Serious Questions
Johann Strauss Bonbon Unwrapped As A Tasty Bicentennial Confection
Paris Voices: A Sojourn From Modernism To Raw Take on ‘Rigoletto’
Schoenberg Anniversary Celebrated In Concerts That Honor Modernists
Digital
Musing On Busoni: Pianist Gets At Roots Of An Undervalued Master
In Timely Revelations, Recordings Celebrate The March Of Women
Another Scarlatti Takes Limelight In Oratorio Of Daniel In The Lion’s…
On New Tracks, Silkroad Traces Multiethnic Cost Of America’s Railways
In An Exotic Travelogue, Wafting Down Silk Road With Oslo Wind…
Perspectives
Historically Apt Practice Spreads Across Epochs, Adding Musical Insights
Soprano On Schoenberg And Moonstruck Pierrot: Wein’s Classical Gas 2.0
Renaissance Man Looks Into Music’s Mirror And Sees Humanity’s Image
Challenging Art Of Ives Launches New Podcast Hosted By Gail Wein
Denk Celebrates Ives, That Thorny American, In Anniversary Recital
Our Critics’ Picks
Aspen Festival To Mark 75 Years As Wellspring Of Musical Nourishment
Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
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Lyric Opera of Chicago
Tag: Lyric Opera of Chicago
Soprano Ascends To Puccinian Heights With Lyric Opera Orchestra
Kyle MacMillan
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February 11, 2025
‘West Side Story’ Told As Music-Drama, Its Tragic Veracity Intact
David Patrick Stearns
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June 30, 2023
Opera Triptych Paints Loneliness, Rage, Hope On A Troubled Planet
Nancy Malitz
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March 29, 2023
‘Factotum’: The Barber, The Criminal, And Vibe Of A Black Urban...
Lawrence B. Johnson
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February 8, 2023
Verdi’s ‘Don Carlo(s)’ Given Both Treatments In New York, Chicago
David Shengold
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November 17, 2022
Verdi’s Early ‘Ernani’ Soars As Stellar Cast Lights Up Fraught Tale
Timothy Lindeman
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September 25, 2022
Opera Is Back – Hooray! As For The Rude Voice That...
Matthew Gurewitsch
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September 25, 2021
As Pandemic Retreats, Chicago’s Lyric Opera Plans Epochal Restart
Lawrence B. Johnson
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May 19, 2021
Drive-Thru ‘Twilight’ Whittles Wagner’s Epic To Garagiste Opera
Lawrence B. Johnson
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April 28, 2021
Star Of ‘Ariodante,’ Out For Opener, Returns In Style
Nancy Malitz
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March 9, 2019
Whimsy Wields Sharp Sword In Mixed ‘Siegfried’
John von Rhein
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November 6, 2018
Festival Salutes Bolcom, Essential American, On 80th
Kyle MacMillan
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July 10, 2018
An Old Bargain Yields New Vocal And Visual Riches
Lawrence B. Johnson
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March 6, 2018
‘Ring’ At Midpoint: Love Is Reflected In A Harsh Mirror
Nancy Malitz
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November 5, 2017
Lyric And Joffrey Team On Elegant ‘Orphée et Eurydice’
Lawrence B. Johnson
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September 26, 2017
Mozart’s Magical Majesty And Mirth Mined In Chicago
Lawrence B. Johnson
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December 14, 2016
From Fall Of Troy To Carthage Pyre: Berlioz In Chicago
Roy C. Dicks
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November 20, 2016
Wry Spirit Rules As Chicago Lyric Launches Its ‘Ring’
Nancy Malitz
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October 4, 2016
Arts Groups Tweak Sights, Aiming For A Younger Crowd
Nancy Malitz
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May 19, 2016
Extra Special: Evolving Role Of Supernumeraries
Barbara Jepson
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December 16, 2015
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Classical Voice North America