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Classical Voice North America
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Around the U.S.
Vienna Phil, Thielemann Invoke Mighty Bruckner With Rewarding Eighth
New Opera As Sapling: Glimpse At Machover’s Lyric Portrait Of Trees
Mehta, Now Grand Old Maestro, Flips Switch In A Vibrant Mahler Third
Pursuing The Intensity Of ‘Thousand Suns’ In Opera World Premiere
3 Women Conductors Eclipse Gender Issues In NY Phil Concerts
Canada
‘Fragments’ For Cello: Random Bach, New Bits All Add Up To…
A Hundred Musicians, One Glorious Sound: Chicago’s Grand Band
With Canadian Premiere Of ‘Jobs,’ Opera House Buffs Modernist Profile
Multi-talented Hannigan Cedes Baton In Display Of Otherworldly Singing
Amid Old Friends Again, Emerson Quartet Offers Farewell To Remember
World
Updated To Instagram, Handel’s ‘Belshazzar’ With Its Tension Intact
Embracing The Theater At The Heart Of Cilea’s ‘Adriana Lecouvreur’
Ligeti’s Creative Journey And Influence Retraced In Centennial Concert
Sunning At The Beach As Earth Turns Plastic: Lyric Of An Anti-Opera
The Lure Of Barcelona’s Architecture Leads To Musical Treasure Trove
Digital
The Play Was The Thing For Henry Purcell, Other Restoration Composers
In Music Of Our Time, Venerable Harpsichord Speaks In New Accents
17th-Century Blossoms Strewn By The Handful: Music For Triple Harp
Gods Behaving Badly, But Stylishly, Ignite CD Of French Opera Rarity
3 Swedish Composers Rule Virtual Stage On CD Of Piano Concertos
Perspectives
Kirchner Letters Paint Composer As Fierce, Inspiring Intellectual
Regional Orchestras 2: Blazing New Pathways In Washington, Oregon
Regional Orchestras 1: After Covid, A Renewed Commitment To Music
Tamino From The Past Recalls A Magical Trek Across Stages Of…
Missing ‘Part Of Life,’ Andsnes Returns To U.S. Concert Touring
Our Critics’ Picks
A Conductor’s Practical Book On Making A Life Of Waving One’s…
Berliners Conjure Gold From Musical Pantheon Of Weimar Twenties
Pärt’s New Voice Emerges On Disc Of Recent Works
‘Dido’ In COVID: Intimacy On Film, At A Safe Distance
Obscure Telemann Opera ‘Miriways’ Sparkles On Disc
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Kate Elswit
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Kate Elswit
Around the U.S.
Unparsable Lines + Beautiful Music = ‘6. 20. Outrageous.’
Anne E. Johnson
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February 15, 2018
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