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Classical Voice North America
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Around the U.S.
New-Wave Conductor’s Chicago Concert Shows Sea Change On Podium
‘Gurrelieder,’ Grandiose But Gentler Schoenberg, Blossoms Under Mehta
When Debussy, Ravel Meet Poets, Colloquy Doesn’t Quite Rhyme
Czech Phil’s Splendid Concerts At Carnegie Take On Festive Aura
Gravity Meets Brilliance: Traversing Beethoven’s Violin-Piano Sonatas
Canada
‘Hamlet’ Opera Revived, But In Sooth, This Play Was Not The…
In Concerto ‘Fandango,’ Violin Spins Old Forms Into Bright New Dances
Orchestra’s ‘Wake Up!’ Sets Up Season Opener That’s ‘Pictures’-Perfect
As Bruckner Turns 200, Fleshing Out The Ninth With Prelude, Epilogue
Born Of A Competition, String Quartet Festival Carves Its Own Niche
World
Schoenberg Anniversary Celebrated In Concerts That Honor Modernists
Greek Wins Conducting Competition; Japanese Hosts Merit Gold, Too
Mahler On Home Turf: 7th Symphony Heard At Site Of Czech…
Through Different Prism: Rachmaninoff, Wagner As Festival Novelties
Weinberg Opera Rarity And ‘Hamlet’ In Concert Score High At Salzburg
Digital
Bryce Dessner’s ‘Solos’ Recording Is A Paradox: It’s About Connections
Ambitious Album Casts Light On The Composer Inside Conductor MTT
Musical Cultures Meld In Renaissance-Based CD Creatively Spiced
Shedding Words, Two Ensembles Articulate Charm Of Early Music
Recording, Reassessing Saariaho Opera Whose Worth Is Still Unknown
Perspectives
Challenging Art Of Ives Launches New Podcast Hosted By Gail Wein
Denk Celebrates Ives, That Thorny American, In Anniversary Recital
Amid The Tour Baggage, Clear Signs Of A Bond Between Maestro,…
Smoking Performances At U.K. Opera Houses Now Under Political Fire
Embracing, Unvarnished Jolie-As-Callas Biopic Hits A High B-Plus
Our Critics’ Picks
Aspen Festival To Mark 75 Years As Wellspring Of Musical Nourishment
Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
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Jonathan Best
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Jonathan Best
Around the U.S.
Handel’s ‘Saul’ Crowns Boston Society’s 200th
Marvin J. Ward
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May 5, 2016
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