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Classical Voice North America
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Around the U.S.
Cultish ‘Listeners’ Gets Lighter Shade of Dark As F-Bombs Rain Down
Illicit Love As Passion And Tragedy Inflames Opera Amid The Faithful
Show Time! Renovated Movie Theater Set For Concert Hall Close-Up
War’s Horror, Up Close And Lyrical: ‘Grounded’ Takes Wing At The…
Reliving The Nightmare Of ‘Handmaid’s Tale’ As Bleak, Harrowing Opera
Canada
Orchestra’s ‘Wake Up!’ Sets Up Season Opener That’s ‘Pictures’-Perfect
As Bruckner Turns 200, Fleshing Out The Ninth With Prelude, Epilogue
Born Of A Competition, String Quartet Festival Carves Its Own Niche
Festival Performance, Listeners On Point For Mahler 7th Symphony
Flourish Of Beethoven’s Last Piano Sonata Gives Pulse To Summer Music
World
Mahler On Home Turf: 7th Symphony Heard At Site Of Czech…
Through Different Prism: Rachmaninoff, Wagner As Festival Novelties
Weinberg Opera Rarity And ‘Hamlet’ In Concert Score High At Salzburg
Spontini Opera Revival Preserves Music, Adds Screams, Tosses Story
On Small Stage, British ‘Ring’ Cycle Scores Big On Imagination, Quality
Digital
Vänskä And Minnesota Wrap Mahler Cycle With Sonically Glorious Third
Recapturing The Magic In Three Eclectic Ballets By A Neglected Master
It’s A Suite Of Brilliance As Conductor, Orchestra Co-star On Dazzling…
New Video Of ‘Rusalka’ Is Appealing Evidence Of Its Rising Popularity
Applying Modern Prism, CD Shifts Perspectives On Women Composers
Perspectives
After Opening Plaudits, Even Best New Operas Face An Unsure Future
Even Greatest Voices Can Succumb To Nerves Or Imbibing Nasty Stuff
Seeking Higher Crest, Escher String Quartet Rides Wave Of Bartók
Visionary Koussevitzky Will Be Celebrated In Tanglewood Concerts
20th-Century American Operas Receding From View On Nation’s Stages
Our Critics’ Picks
Aspen Festival To Mark 75 Years As Wellspring Of Musical Nourishment
Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
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John Adams
Tag: John Adams
Multigifted Timo Andres Morphs From Pianist To Composer For Premiere
Rick Schultz
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March 27, 2024
Adams-Sellars Retelling Of Christmas, Reframed Small, Still Gripping Tale
Susan Brodie
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December 27, 2023
‘Antony And Cleopatra’ Second Time Around: Love’s More Wonderful
Thomas May
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November 9, 2023
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In...
Ken Smith
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May 2, 2023
After Another Buffing, Adams’ ‘Golden’ Opera Is Brighter And Tighter
Richard S. Ginell
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February 1, 2023
Our Critic’s Soliloquy On A Shakespearean Opera By John Adams: ‘Meh’
Richard S. Ginell
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September 16, 2022
Behind All The Masks, Vibrant Ojai Fest Brings Out Faces New...
Richard S. Ginell
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September 23, 2021
Bloom Is Missing In Julia Wolfe’s New ‘Flower Power’
Rick Schultz
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January 21, 2020
Adams Salutes MTT At Milepost With ‘I Still Dance’
Richard S. Ginell
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September 23, 2019
LA Phil Shebang Goes Wall To Wall, Noon To Midnight
Richard S. Ginell
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June 4, 2019
Yuja Wang Unveils Diabolical Adams Piano Concerto
Rick Schultz
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March 12, 2019
Philip Glass’ New Bowie Symphony Mismatches Styles
Richard S. Ginell
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January 14, 2019
‘Dr. Atomic’ Reaches Ground Zero On New Mexico Stage
Keith Powers
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August 21, 2018
Berliners Embrace Full-Range Adams In Maximalist Box
Richard S. Ginell
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January 24, 2018
Mining For Gold: New Adams Opera Finds Darker Veins
Richard S. Ginell
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November 24, 2017
‘Nixon’ Returns To Houston As Trump Enters Washington
William Albright
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January 24, 2017
Adams On Rimsky, ‘Scheherazade.2,’ Debuts On New CD
Richard S. Ginell
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January 4, 2017
Work’s Chirpy Wit Caps Centennial For Baltimore SO
Charles T. Downey
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November 21, 2016
All Day, All Night: New Music Fills LA’s Disney Hall
Richard S. Ginell
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October 5, 2016
Jesting Or Grand, Adams Provides Delight On Disc
Richard S. Ginell
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September 4, 2015
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Classical Voice North America