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Multigifted Timo Andres Morphs From Pianist To Composer For Premiere

Rick Schultz - March 27, 2024

Adams-Sellars Retelling Of Christmas, Reframed Small, Still Gripping Tale

Susan Brodie - December 27, 2023

‘Antony And Cleopatra’ Second Time Around: Love’s More Wonderful

Thomas May - November 9, 2023

35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In...

Ken Smith - May 2, 2023

After Another Buffing, Adams’ ‘Golden’ Opera Is Brighter And Tighter

Richard S. Ginell - February 1, 2023

Our Critic’s Soliloquy On A Shakespearean Opera By John Adams: ‘Meh’

Richard S. Ginell - September 16, 2022

Behind All The Masks, Vibrant Ojai Fest Brings Out Faces New...

Richard S. Ginell - September 23, 2021

Bloom Is Missing In Julia Wolfe’s New ‘Flower Power’

Rick Schultz - January 21, 2020

Adams Salutes MTT At Milepost With ‘I Still Dance’

Richard S. Ginell - September 23, 2019

LA Phil Shebang Goes Wall To Wall, Noon To Midnight

Richard S. Ginell - June 4, 2019

Yuja Wang Unveils Diabolical Adams Piano Concerto

Rick Schultz - March 12, 2019

Philip Glass’ New Bowie Symphony Mismatches Styles

Richard S. Ginell - January 14, 2019

‘Dr. Atomic’ Reaches Ground Zero On New Mexico Stage

Keith Powers - August 21, 2018

Berliners Embrace Full-Range Adams In Maximalist Box

Richard S. Ginell - January 24, 2018

Mining For Gold: New Adams Opera Finds Darker Veins

Richard S. Ginell - November 24, 2017

‘Nixon’ Returns To Houston As Trump Enters Washington

William Albright - January 24, 2017

Adams On Rimsky, ‘Scheherazade.2,’ Debuts On New CD

Richard S. Ginell - January 4, 2017

Work’s Chirpy Wit Caps Centennial For Baltimore SO

Charles T. Downey - November 21, 2016

All Day, All Night: New Music Fills LA’s Disney Hall

Richard S. Ginell - October 5, 2016

Jesting Or Grand, Adams Provides Delight On Disc

Richard S. Ginell - September 4, 2015

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