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Classical Voice North America
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Around the U.S.
Spreading His Populist Wings, Dudamel Opens NY Phil Era In Big…
Once-A-Year Chorus Puts A Fine Finish On Josquin, Dolly Parton
After Half A Century, Takács Introduces Its First Change At Cello
Chamber Fest Explores Dynamic Interactions Of Music, History’s Course
From Music’s Castoffs, Festival Puts Together Concert Of Discovery
Canada
Monteverdi’s ‘Orfeo,’ Semi-staged And Lean, With A Modernist Touch
Montreal Orchestra Displays Rapport With Diversity Of Americana
No Sets, No Costumes, But Music, Imagination Fire Concert ‘Turandot’
On An Ambitious Spring Trek, Singer And Pianist Cycle Through Schubert
Oh, You Kid! As Young Musicians Rise, Slatkin Shows Veteran Finesse
World
Josephine Baker, Once Darling Of Paris Stage, Conjured In New Light
Virtuosity And Brevity Meet At Spirited Heart Of Clever Concert Fare
Is This A Weed I See? Amid Wagner’s Blooms, ‘Rienzi’ Raises…
Very Today ‘Walküre,’ Penderecki Celebration Highlight Baltic Festival
Paris’ Musical Culture Showcases Its Splendor In A Time Of Transition
Digital
Martinů’s Symphonies: Reveling In Variegated Garden Of Late Bloomer
Unearthing, Restoration Of Old Recordings Puts Music’s Arc In New Light
LOUD Percussion Piece Migrates To Recording; Lose Those Earplugs
In A Recording Profile, Music Of Many Faces Has Snapshot Moment
Beckett’s ‘Endgame’ Gets An Operatic Spin As Wry As The Original
Perspectives
Marian Anderson: Voice Of A Century Who Also Bore Discord Of…
Unearthing, Restoration Of Old Recordings Puts Music’s Arc In New Light
As He Signs Off In LA, Gustavo Dudamel Can Claim Imposing…
Composer Ruminates On Work Sprung From Novel On ‘Classical Gas’
Silver Screen Concert Reflects Starring Roles For Women Composers
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Franz Schmidt’s Das Buch mit sieben Siegeln
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Franz Schmidt’s Das Buch mit sieben Siegeln
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Apocalypse, No: Just Two Tokyo Orchestras, One Fearsome Oratorio
Paul Bodine
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September 24, 2026
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Apocalypse, No: Just Two Tokyo Orchestras, One Fearsome Oratorio
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