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Classical Voice North America
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Around the U.S.
A New Violin Concerto, ‘Pastoral’ Symphony Share A Bucolic Outing
Dudamel’s Opening Fare At New York Phil Echoes Tensions Of The…
Prokofiev Sonata Cycle Etched As Love, Terror In Up-Close Experiences
Italian Countertenor Displays His Sparkling Art In Stylish NY Recital
Spreading His Populist Wings, Dudamel Opens NY Phil Era In Big…
Canada
Star Beings And Quiet: Nézet-Séguin, His Band Rise Into A New…
Monteverdi’s ‘Orfeo,’ Semi-staged And Lean, With A Modernist Touch
Montreal Orchestra Displays Rapport With Diversity Of Americana
No Sets, No Costumes, But Music, Imagination Fire Concert ‘Turandot’
On An Ambitious Spring Trek, Singer And Pianist Cycle Through Schubert
World
Josephine Baker, Once Darling Of Paris Stage, Conjured In New Light
Virtuosity And Brevity Meet At Spirited Heart Of Clever Concert Fare
Is This A Weed I See? Amid Wagner’s Blooms, ‘Rienzi’ Raises…
Very Today ‘Walküre,’ Penderecki Celebration Highlight Baltic Festival
Paris’ Musical Culture Showcases Its Splendor In A Time Of Transition
Digital
Martinů’s Symphonies: Reveling In Variegated Garden Of Late Bloomer
Unearthing, Restoration Of Old Recordings Puts Music’s Arc In New Light
LOUD Percussion Piece Migrates To Recording; Lose Those Earplugs
In A Recording Profile, Music Of Many Faces Has Snapshot Moment
Beckett’s ‘Endgame’ Gets An Operatic Spin As Wry As The Original
Perspectives
Marian Anderson: Voice Of A Century Who Also Bore Discord Of…
Unearthing, Restoration Of Old Recordings Puts Music’s Arc In New Light
As He Signs Off In LA, Gustavo Dudamel Can Claim Imposing…
Composer Ruminates On Work Sprung From Novel On ‘Classical Gas’
Silver Screen Concert Reflects Starring Roles For Women Composers
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Carlos Simon
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Rhythmic Pulse, Lyric Flight Swirl In Concert Exploring Movement(s)
Richard S. Ginell
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September 30, 2026
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