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Classical Voice North America
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Join
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Around the U.S.
After Lengthy Retreat, Gabriel Kahane Cracks Open A Fresh Songbook
A Concert Of Beethoven And Sermons, And Both Rise To Their…
An Ineffable Tone Poem Captures How Wildfire Consumed Small Town
Met’s ‘Meistersinger’: An Uneven Return To Time-Worn Tradition
From Challenging Bits Of ‘Mosaic,’ Dinnerstein Fashions Whole Cloth
Canada
Scaled Back, Brahms’ ‘German Requiem’ Still Makes Its Grand Effect
In Gala-Salad Program, Orchestra Dishes Up Return To Concert Life
New Montreal Maestro Shows Flair For Basics (But Maybe Not French)
Far-Flung String Players Converge (Virtually) For A Festival Homecoming
In Virtual Competition, 26 Pianists Vie From Keyboards Flung Afar
World
Quest For Piano Leads Writer To Adventures, Stories Across Siberia
Callas, Resurrected, Dies Again (And Again) In Seven Famous Roles
Toasts And Standing O: Berliners Citywide Hail Live Music’s Renewal
Festival Drama Is Ode To Human Resilience In Face Of Human…
Juilliard Turns Table, Creates Splendid New Music School in China
Digital
Big Box Of Orpheus CDs Chronicles An Ensemble Sans Leader, Sans…
Directorship Extended, Honeck Shows Affinity For Pittsburgh On CD
Elgar’s Violin Concerto Twice: The Long And Far From Short Of…
Canadian Guitarist’s Art On Generous Display In Disc Of Her Own…
At Desert Crossroads, Stage And Film Collide In An Opera Miniseries
Perspectives
Bernard Haitink: Master Of Mahler And Bruckner Left Indelible Memories
Under Diversity Banner, Sphinx Virtuosi Concert To Celebrate Progress
Opera Is Back – Hooray! As For The Rude Voice That…
Bernstein’s Mass, Once Written Off, Now Enjoys Embrace Of A New…
From Music’s Dim Past, Rediscovered Songbook Casts Telling New Light
Our Critics’ Picks
Berliners Conjure Gold From Musical Pantheon Of Weimar Twenties
Pärt’s New Voice Emerges On Disc Of Recent Works
‘Dido’ In COVID: Intimacy On Film, At A Safe Distance
Obscure Telemann Opera ‘Miriways’ Sparkles On Disc
Blaze Of Fanfares, With A Solo Twist, Recaptures Legacy
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Alexander sprague
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International
‘Orfeo’ Takes Turn Toward The Bard At Royal Opera
George Loomis
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January 21, 2015
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