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Classical Voice North America
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Around the U.S.
Cleveland Orchestra’s Portrait Of A Composer Profiles Community Ties
Mozart’s ‘Idomeneo’ Gets Regal Treatment, Even In Semi-Staging
Ultimate Monodrama: Singer Also Conducts Tragic ‘Voix Humaine’
Sleeping Beauty Opera Is A Wake-Up Call For An Intrusive Smoocher
Flamboyant Virtuoso, Wang Lights It Up As Pianist-Plus-Conductor
Canada
On An Ambitious Spring Trek, Singer And Pianist Cycle Through Schubert
Oh, You Kid! As Young Musicians Rise, Slatkin Shows Veteran Finesse
Braving Cold Rewarded In Bracing Concerts Of Tchaikovsky, Film Fare
Out, Out, Viol Spots: Bach’s Luster Dulled In Antique Transcriptions
Shadowed Masterpiece Revealed In Full Light With A Stirring ‘Jenůfa’
World
Athens State Orchestra Plays Concert Honoring U.S. Semiquincentennial
Proto-AI In A Music Box: Mystic Schreker Opera Receives Vibrant Revival
Send-Up Of Opera Seria By An 18th-Century Wit Who Knew It…
Early Verdi Tragedy Set In Food Delivery Culture. (Fries With That?)
Musical Culture Reigns In Dutch Competitions For Piano And Violin
Digital
In Paean To Mythic Idyll, A Recording Embraces Spirit Of The…
Taking On Prokofiev With Pianistic Means, But Wit Waxes, Wanes
5 Winds Caress Legacy Of Nadia Boulanger And Her Musical Progeny
Trove Of Recordings Draws Back Curtain On Legacy Of Radu Lupu
Never Mind Smetana’s Comedic ‘Bride’; Catch Laughs Of ‘Two Widows’
Perspectives
Michael Tilson Thomas (MTT Or Just Michael), The Nonstop Adventurer
New On Classical Gas: Seeing Clara Schumann Through A Modern Lens
Carlisle Floyd At 100: Music World Celebrates American Opera Legend
Performance Can Take Music Down Pathways Blazed By Circumstance
Joan Tower, 87, Joins Gail Wein’s Podcast For Remarkable Look Back
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Aaron Zigman
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Aaron Zigman
Around the U.S.
Oratorio ‘Émigré’ Recalls Jews Fleeing Germany Into Chinese Embrace
Gail Wein
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February 26, 2024
International
From Cutting-Edge To Baroque, China Fest Is Innovative
Thomas May
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October 31, 2019
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