In its third installment of the Sonic Spectrum series this season, Chamber Music Society of Lincoln Center will present the world premiere of a new work for flute, piano, and percussion by Philadelphia-based composer Elise Arancio. Other composers on the Feb. 27 bill are Liza Lim, Tonia Ko, Elaine Lillios, and more. https://www.chambermusicsociety.org/our-concerts/at-lincoln-center/events/24-25/sonic-spectrum-iii-2425/
Every work on Third Coast Percussion’s Feb. 27 Carnegie Hall program will be a New York City premiere. These include pieces by Tigran Hamasyan, Jessie Montgomery, and Zakir Hussain; a master on Indian tablas, Hussain will be on hand to solo in his composition. https://www.carnegiehall.org/calendar/2025/02/27/third-coast-percussion-0730pm
In “Music in (Techni)Color” on March 1-2, New World Symphony and conductor Stéphane Denève will present the East Coast premiere of composer Anna Clyne’s PALETTE, the latest in her and sound designer Jody Elff’s revolutionary interactive sonic experiences for Augmented Orchestra (AO). Also on the program is Ravel’s Mother Goose Suite as well as Mussorgsky’s Pictures at an Exhibition. […]
In a March 1 Carnegie Hall program called Noche de Fantasías, Orpheus Chamber Orchestra will give the New York premiere of a new work by Jorge Amado. The Orpheus will also play pieces by Gabriela Ortiz and M. Ponce, and guitarist Pablo Sáinz-Villegas will solo in Rodrigo’s Fantasia para un gentilhombre. https://www.carnegiehall.org/calendar/2025/03/01/orpheus-chamber-orchestra---pablo-sainz-villegas-0700pm
For its spring Carnegie Hall appearance on March 6, the American Composers Orchestra will perform four world premieres under the baton of Tito Muñoz. Clarice Assad will sing and play electronics in her Evolution of AI. As part of the EarShot CoLABoratory initiative, Edmar Castañeda will solo as harpist in his new work. Alice Coltrane Turiyasangitananda’s Going […]
Nico Muhly’s new work for violin and orchestra will receive its world premiere on March 6-8 by the New York Philharmonic under Marin Alsop. Renaud Capuçon is the soloist. This inventive concert is bookended by Beethoven’s Leonore Overture No. 3 and Stravinsky’s Firebird Suite, with Brahms’ Variations on a Theme by Haydn included as well. https://www.nyphil.org/concerts-tickets/2425/alsop-muhly/
Stéphane Denève will lead the New World Symphony in the world premiere performance of a new orchestrated version of Davóne Tines’ Recital No. 1 MASS. Bach’s Brandenburg Concerto No. 4 and Michael Abels’ Delights and Dances complete the March 8-9 program. https://www.nws.edu/events-tickets/concerts/2024-2025/deneve-davone-tines-mass/
Pairing The Four Season with other arias and instrumental movements by Vivaldi, a new opera called The Seasons will receive its world premiere at Boston Lyric Opera on March 12-16. The work, co-conceived by librettist Sarah Ruhl and famed countertenor Anthony Roth Costanzo, will be directed by Zack Winokur. https://blo.org/theseasons/
On March 13-15, the Philadelphia Orchestra will play the world premiere of Gabriela Lena Frank’s Picaflor, inspired by a Peruvian myth about a hummingbird. Marin Alsop will also conduct Randall Goosby in the Mendelssohn Violin Concerto, and the program ends with Brahms’ Variations on a Theme of Haydn. https://www.philorch.org/performances/our-season/events-and-tickets/2024-2025-season/verizon-hall/marin-alsop-leads-brahms-mendelssohn-and-frank/
Two works for double bass and orchestra by Xavier Foley—including a world premiere—will be presented by the New Jersey Symphony on March 13-16, with the composer as soloist. Xian Zhang conducts the program, which opens with Debussy’s Clair de lune and closes with Rachmaninoff’s Symphony No. 2. https://www.njsymphony.org/events/detail/rachmaninoff-symphony-no-2
On March 21-23, Los Angeles-based music collective Wild Up presents the New York premiere of their acclaimed Darkness Sounding festival. The festival of concerts, conversations, and workshops convening around themes of mindfulness and nature explores how sound and music shape our understanding of the world. Christopher Rountree, artistic director. https://www.92ny.org/event/wild-up-1
On March 23, the American Symphony orchestra will perform at David Geffen Hall at Lincoln Center for the first time. The program focuses on music of composers who came of age in the 1920s, including Edgar Varèse, John Alden Carpenter, Erwin Schulhoff, and William Grant Still. Leon Botstein conducts, and pianist Orion Weiss joins as […]
The last of four candidates for Delaware Symphony music director, Michelle De Russo will conduct the Brahms Fourth Symphony on March 28. Janice Carissa joins as soloist in Prokofiev’s Piano Concerto No. 3. https://www.delawaresymphony.org/dso_events/di-russo-conducts-brahms-wilmington/
In honor of Ravel’s 150th birthday, South Coast Chamber Music (in Southeastern Massachusetts) will perform his String Quartet in F Major. Also on the March 29-30 program are works by two living female composers: Victoria Bond’s Dancing on Glass and Betsy Jolas’ Scion. https://nbsymphony.org/chamber-series-2024-2025/
Nikolaj SzepsZnaider conducts the world premiere of a new work for cello by Thomas Larcher on April 3-5, with Alisa Weilerstein as soloist. The program also includes Mendelssohn’s incidental music to A Midsummer Night’s Dream and Schumann’s Symphony No. 2. https://www.nyphil.org/concerts-tickets/2425/weilerstein-larcher/
The world premere of a work by Roydon Tse, a commission through the Gabriela Lena Frank Creative Academy of Music, will have its world premiere with members of the Annapolis Symphony April 4-5. The chamber-music program also includes Sonia Morales-Matos’ Fiesta No. 2 and Suites 1 and 2 from Ravel’s Daphnis et Chloé. https://annapolissymphony.org/events/fiesta/
