Minnesota Cancels Carnegie Concerts, Vänskä Quits

  UPDATE: Music Director Osmo Vänskä resigned today (10/1) after the Minnesota Orchestra withdrew from its Carnegie Hall concerts. In the absence of an agreement, the lockout continues.

In 1970s, Critics Saw Job as Guide For ‘Virgin’ Public

By Louise Remmey
In this blast from the past, the leading music critics of 1972 gather to talk shop. It is a different time. There are no cellphones. Newspapers flourish. Yo-Yo Ma, Emanuel Ax and James Levine are emerging artists. But the critics face a still-familiar task.

Off-Beat Chicago Venues Energize Classical Music

By Wynne Delacoma
Inside the Empty Bottle, a band was tearing up the joint, playing to a SRO crowd. An encore? Absolutely. What should it be? "Bartók Four!" somebody yelled. Welcome to the newest edition of Chicago's classical music scene.

Seals and Squeals at Syracuse University: ‘Polar Suite’ by Douglas Quin

By Barbara Jepson
Kronos Quartet tries out the K-Bow, made of graphite and Kevlar, the same synthetic material used in bullet-proof vests. Quartet member Jeffrey Ziegler: "Basically, this bow can do almost anything except make an espresso."

Wagner, Jazz and Pop: An Alliance of Limited Success

By Richard S. Ginell
One hundred and thirty-five years since its 1876 premiere, Richard Wagner's Ring remains the biggest operatic show on earth, and the composer's influence... has, ever since, been immense and amply documented. Yet what influence has this irresistible force had upon the popular and jazz fields? Not a hell of a lot, if the truth be told. Upon jazz, for the most part, Wagner's actual language has had little impact.