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Rick Perdian

Rick Perdian
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http://www.rickperdian.com
Rick Perdian contributes regularly to New York Classical Review and Seen and Heard International, as well as Classical Voice North America. He has also written program notes for the Singapore Symphony Orchestra. In addition to his writing, he leads small-group, music-themed tours to places such as the Czech Republic, Egypt, Italy, and beyond. In a previous life, an international career in law and insurance took him to Switzerland, Singapore, and China.

Grand Dame Von Stade Makes New Recording, And Declares It Her...

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Show Time! Renovated Movie Theater Set For Concert Hall Close-Up

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Not Quite Traditional: ‘Ring’ Without The Rhine, But Rewards Are Golden

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Pushing Opera’s Limits, Prototype Fest Shifts Its Daring To Larger Canvas

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Mysterious Dutchman Meets Dramatic Match In 11th-Hour Senta Sub

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Malcolm X Opera Vital Sign Of Met’s Resolve To Embrace Diversity

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On Vast Montana Vista, Chamber Music Invokes An Unexpected Intimacy

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‘Turandot,’ Heard Just As Puccini Left It, Was Simply The Bee’s...

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Plunder, Deceit, Murder. Night Can Be Rough On Cornwall’s Rocky Coast

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Hot Love, Cold Murder: La Scala’s New ‘Fedora’ Delivers Lyric Scorcher

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Mozart’s Rake Prowls Crumbling Society In Futuristic ‘Don Giovanni’

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‘Rheingold’ In Zurich, Or Wagner Does Hollywood (Jean Harlow Sighting)

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Iceland’s Dazzling Hall Bathes Concert Life In Sea Of Northern Lights

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Shrouded In Mystery, Shadowed With Doubt, A Brilliant New Opera

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Saga Of Prague’s Grand Theaters Played Out As Gilded Historical Drama

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War’s Private Anguish, Personal Loss Explode In Opera ‘Glory Denied’

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Negro Opera Birthplace Rescued By A Visionary With Preservation Goal

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Fabio Luisi Migrates From Opera World To Ample Orchestra Life 

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Singing In Mandarin, Or A Vocalist’s Guidebook To Minefield Survival

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