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Classical Voice North America
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Around the U.S.
Beleaguered Orchestra And New Music Director Hitch Wagon To Mahler
New England Dreaming: Small City’s Dedication Has Orchestra Thriving
Conductor Eun Sun Kim, Emerging Wagner Star, Leads Dazzling ‘Tristan’
Death Of Garcia Lorca, More Gritty Than Grand, Brings Flamenco To…
Spirituals Are Bountiful But Drama Is Slight In Opera On Fisk…
Canada
In Concerto ‘Fandango,’ Violin Spins Old Forms Into Bright New Dances
Orchestra’s ‘Wake Up!’ Sets Up Season Opener That’s ‘Pictures’-Perfect
As Bruckner Turns 200, Fleshing Out The Ninth With Prelude, Epilogue
Born Of A Competition, String Quartet Festival Carves Its Own Niche
Festival Performance, Listeners On Point For Mahler 7th Symphony
World
Greek Wins Conducting Competition; Japanese Hosts Merit Gold, Too
Mahler On Home Turf: 7th Symphony Heard At Site Of Czech…
Through Different Prism: Rachmaninoff, Wagner As Festival Novelties
Weinberg Opera Rarity And ‘Hamlet’ In Concert Score High At Salzburg
Spontini Opera Revival Preserves Music, Adds Screams, Tosses Story
Digital
Shedding Words, Two Ensembles Articulate Charm Of Early Music
Recording, Reassessing Saariaho Opera Whose Worth Is Still Unknown
Robeson Compendium: Like Trailblazing Artist, CD Set Is Monumental
Three Decades Later, Hamelin Revisits Depths Of The ‘Hammerklavier’
Vänskä And Minnesota Wrap Mahler Cycle With Sonically Glorious Third
Perspectives
After Opening Plaudits, Even Best New Operas Face An Unsure Future
Even Greatest Voices Can Succumb To Nerves Or Imbibing Nasty Stuff
Seeking Higher Crest, Escher String Quartet Rides Wave Of Bartók
Visionary Koussevitzky Will Be Celebrated In Tanglewood Concerts
20th-Century American Operas Receding From View On Nation’s Stages
Our Critics’ Picks
Aspen Festival To Mark 75 Years As Wellspring Of Musical Nourishment
Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
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Posts by Leslie Kandell
Leslie Kandell
53 POSTS
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Leslie Kandell has contributed to The New York Times, Musical America, Musical America Directory, and The Berkshire Eagle.
Another Try, Same Dubious Result For Shchedrin Opera
Leslie Kandell
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January 17, 2015
Shostakovich’s Lurid ‘Lady’ Still Drips Life at Met
Leslie Kandell
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November 21, 2014
DiDonato Focuses Recital On Songs Inspired By Venice
Leslie Kandell
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November 7, 2014
Tanglewood’s New Music Fest Honors Enduring Legacy
Leslie Kandell
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July 24, 2014
Nelsons and iPad Lawncasting Make Tanglewood Debut
Leslie Kandell
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July 15, 2014
Higdon & Holst Oratorios Keep Choristers Aloft
Leslie Kandell
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May 2, 2014
Bruch’s Oratorio ‘Moses’ Displays Tablets of Cliché
Leslie Kandell
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March 31, 2014
Met’s ‘Prince Igor’ An Exotic Romp Amid The Poppies
Leslie Kandell
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February 18, 2014
Hilliard Ensemble, On Farewell Tour, Model of Finesse
Leslie Kandell
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January 27, 2014
Fine Voices Give Lift to Strauss Rarity ‘Feuersnot’
Leslie Kandell
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December 18, 2013
Liebermann’s ‘Sinking City’ Heard In Buoyant Newark
Leslie Kandell
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December 5, 2013
‘2Boys’@MetOpera: Internet Tragedy Unfinished IMHO
Leslie Kandell
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October 30, 2013
Summer Festivals: Boston Symphony Taps Music Director, Preps Tanglewood Season
Leslie Kandell
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May 25, 2013
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