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Classical Voice North America
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In Concert For Strings, Historical Style Melds With A New Concerto
The Saga Of Anne Frank, Sharply Framed Within Gripping Opera For…
In A ‘Così Fan Tutte’ Refitted For Our Time, Mozart Encounters…
Festival’s Wide Scope Offers Classical Music Writ On Intimate Scale
Weill-Lerner ‘Love Life’ Dusted Off, Buffed Up, Made Fascinating Again
Canada
Amid Candy Hawkers, Spirited New-Music Fest Offers Plenty Of Crunch
Soft Were The Sounds, Their Meaning Tacit, That The Takács Spun
With Just Piano, Mozart In Vast Space, Yundi Li Strikes A…
‘Hamlet’ Opera Revived, But In Sooth, This Play Was Not The…
In Concerto ‘Fandango,’ Violin Spins Old Forms Into Bright New Dances
World
Seen In Royal Intimacy, Donizetti’s Belle ‘Fille’ Conquers French Hearts
After A Long Absence, Tchaikovsky’s ‘Iolanta’ Makes Colorful Return
As Tradition, Virtuosity Command Center Stage, A Festival Seeks Identity
Double Dose Of ‘Norma’ Offers Rewards But Also Begs Serious Questions
Johann Strauss Bonbon Unwrapped As A Tasty Bicentennial Confection
Digital
Of Bees And Piazzolla: Dances Familiar, Bizarre Animate A Violin Album
Recording Sheds Light On Piano Concertos By Women History Forgot
Musing On Busoni: Pianist Gets At Roots Of An Undervalued Master
In Timely Revelations, Recordings Celebrate The March Of Women
Another Scarlatti Takes Limelight In Oratorio Of Daniel In The Lion’s…
Perspectives
Son Of Native American ‘Shell-Shaking Culture’ Talks Roots On Podcast
Schiff On His Boycott: ‘If I Were A U.S. Citizen, I…
Historically Apt Practice Spreads Across Epochs, Adding Musical Insights
Soprano On Schoenberg And Moonstruck Pierrot: Wein’s Classical Gas 2.0
Renaissance Man Looks Into Music’s Mirror And Sees Humanity’s Image
Our Critics’ Picks
Aspen Festival To Mark 75 Years As Wellspring Of Musical Nourishment
Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
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Posts by Leslie Kandell
Leslie Kandell
53 POSTS
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Leslie Kandell has contributed to The New York Times, Musical America, Musical America Directory, and The Berkshire Eagle.
Another Try, Same Dubious Result For Shchedrin Opera
Leslie Kandell
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January 17, 2015
Shostakovich’s Lurid ‘Lady’ Still Drips Life at Met
Leslie Kandell
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November 21, 2014
DiDonato Focuses Recital On Songs Inspired By Venice
Leslie Kandell
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November 7, 2014
Tanglewood’s New Music Fest Honors Enduring Legacy
Leslie Kandell
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July 24, 2014
Nelsons and iPad Lawncasting Make Tanglewood Debut
Leslie Kandell
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July 15, 2014
Higdon & Holst Oratorios Keep Choristers Aloft
Leslie Kandell
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May 2, 2014
Bruch’s Oratorio ‘Moses’ Displays Tablets of Cliché
Leslie Kandell
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March 31, 2014
Met’s ‘Prince Igor’ An Exotic Romp Amid The Poppies
Leslie Kandell
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February 18, 2014
Hilliard Ensemble, On Farewell Tour, Model of Finesse
Leslie Kandell
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January 27, 2014
Fine Voices Give Lift to Strauss Rarity ‘Feuersnot’
Leslie Kandell
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December 18, 2013
Liebermann’s ‘Sinking City’ Heard In Buoyant Newark
Leslie Kandell
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December 5, 2013
‘2Boys’@MetOpera: Internet Tragedy Unfinished IMHO
Leslie Kandell
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October 30, 2013
Summer Festivals: Boston Symphony Taps Music Director, Preps Tanglewood Season
Leslie Kandell
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May 25, 2013
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Classical Voice North America