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Weill-Lerner ‘Love Life’ Dusted Off, Buffed Up, Made Fascinating Again
Orchestra Is Way Over The Moon With Its New Conductor At…
Shattering Convention, Two Engaging Singers Redefine Voice Recital
Amid Blast And Balm, String Troupe Maps Out A Walk On…
With A Searing ‘Salome,’ Opera Company Shows It’s Back In The Dance
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Amid Candy Hawkers, Spirited New-Music Fest Offers Plenty Of Crunch
Soft Were The Sounds, Their Meaning Tacit, That The Takács Spun
With Just Piano, Mozart In Vast Space, Yundi Li Strikes A…
‘Hamlet’ Opera Revived, But In Sooth, This Play Was Not The…
In Concerto ‘Fandango,’ Violin Spins Old Forms Into Bright New Dances
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As Tradition, Virtuosity Command Center Stage, A Festival Seeks Identity
Double Dose Of ‘Norma’ Offers Rewards But Also Begs Serious Questions
Johann Strauss Bonbon Unwrapped As A Tasty Bicentennial Confection
Paris Voices: A Sojourn From Modernism To Raw Take on ‘Rigoletto’
Schoenberg Anniversary Celebrated In Concerts That Honor Modernists
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Musing On Busoni: Pianist Gets At Roots Of An Undervalued Master
In Timely Revelations, Recordings Celebrate The March Of Women
Another Scarlatti Takes Limelight In Oratorio Of Daniel In The Lion’s…
On New Tracks, Silkroad Traces Multiethnic Cost Of America’s Railways
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Perspectives
Son Of Native American ‘Shell-Shaking Culture’ Talks Roots On Podcast
Schiff On His Boycott: ‘If I Were A U.S. Citizen, I…
Historically Apt Practice Spreads Across Epochs, Adding Musical Insights
Soprano On Schoenberg And Moonstruck Pierrot: Wein’s Classical Gas 2.0
Renaissance Man Looks Into Music’s Mirror And Sees Humanity’s Image
Our Critics’ Picks
Aspen Festival To Mark 75 Years As Wellspring Of Musical Nourishment
Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
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Posts by Leslie Kandell
Leslie Kandell
53 POSTS
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Leslie Kandell has contributed to The New York Times, Musical America, Musical America Directory, and The Berkshire Eagle.
Multifaceted Concerts Honor Koussevitzky As Tanglewood’s Founder
Leslie Kandell
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August 1, 2024
Singers Unseen, Sober Tone Unstinting, ‘Passio’ Was Lengthy Challenge
Leslie Kandell
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February 9, 2024
With Blizzard Of Notes, Wizardly Pianist Proves Too Much Is Just...
Leslie Kandell
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October 24, 2023
As Tanglewood Opens, Boston Symphony Casts A Spotlight On Diversity
Leslie Kandell
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July 12, 2023
Helsinki Phil’s Concert At Carnegie Points Up Art Of Susanna Mälkki
Leslie Kandell
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May 12, 2023
Pianist Remembers Dad With A Little Help From His Composer Friends
Leslie Kandell
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March 14, 2023
Vienna Phil, Thielemann Invoke Mighty Bruckner With Rewarding Eighth
Leslie Kandell
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March 10, 2023
4,000-Year-Old Poetry Resounds Afresh In Very Modernist Music
Leslie Kandell
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January 31, 2023
‘The Hours,’ New Opera Based On Woolf Novel, Maybe Just Needs...
Leslie Kandell
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December 2, 2022
Through Paired Prisms, 2 Choral Works Reflect On The American Dream
Leslie Kandell
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November 22, 2022
Flair Meets Substance As A Maestro In Purple Leads Carnegie Opener
Leslie Kandell
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October 11, 2022
Marlboro Music, Where The Old Guard Gathers And Lemonade’s Still $1
Leslie Kandell
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August 2, 2022
On A Hot Day, Heggie’s ‘Decembers’ Opera Has Listener Pining For...
Leslie Kandell
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July 27, 2022
In Flourish Of Sparkles, Yuja Wang Flashes Her Liszt At Tanglewood
Leslie Kandell
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July 14, 2022
Bringing Raw Conviction To The Bleak World Of ‘Wozzeck’ In A Concert
Leslie Kandell
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March 20, 2022
Voices Of Stile Antico Tap Into Deep Roots Of Evergreen Renaissance
Leslie Kandell
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February 24, 2022
Playing To Eager Crowd, Resurgent Bang On Can Delivers Winning Fare
Leslie Kandell
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January 28, 2022
Blomstedt And Williams Close Out Tanglewood On Grand, Wistful Note
Leslie Kandell
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August 25, 2021
Glimpsed In Clear Light Of Glass, New Rzewski Proves A Thicket...
Leslie Kandell
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August 2, 2021
Bruckner Faces Exodus Following Bounty Of Modern
Leslie Kandell
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February 24, 2020
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Classical Voice North America