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Classical Voice North America
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Around the U.S.
Día De Los Muertos: Supercharged Concert Rings With Festive Life
Beleaguered Orchestra And New Music Director Hitch Wagon To Mahler
New England Dreaming: Small City’s Dedication Has Orchestra Thriving
Conductor Eun Sun Kim, Emerging Wagner Star, Leads Dazzling ‘Tristan’
Death Of Garcia Lorca, More Gritty Than Grand, Brings Flamenco To…
Canada
In Concerto ‘Fandango,’ Violin Spins Old Forms Into Bright New Dances
Orchestra’s ‘Wake Up!’ Sets Up Season Opener That’s ‘Pictures’-Perfect
As Bruckner Turns 200, Fleshing Out The Ninth With Prelude, Epilogue
Born Of A Competition, String Quartet Festival Carves Its Own Niche
Festival Performance, Listeners On Point For Mahler 7th Symphony
World
Greek Wins Conducting Competition; Japanese Hosts Merit Gold, Too
Mahler On Home Turf: 7th Symphony Heard At Site Of Czech…
Through Different Prism: Rachmaninoff, Wagner As Festival Novelties
Weinberg Opera Rarity And ‘Hamlet’ In Concert Score High At Salzburg
Spontini Opera Revival Preserves Music, Adds Screams, Tosses Story
Digital
Musical Cultures Meld In Renaissance-Based CD Creatively Spiced
Shedding Words, Two Ensembles Articulate Charm Of Early Music
Recording, Reassessing Saariaho Opera Whose Worth Is Still Unknown
Robeson Compendium: Like Trailblazing Artist, CD Set Is Monumental
Three Decades Later, Hamelin Revisits Depths Of The ‘Hammerklavier’
Perspectives
A Singer Sees The Light In Dark World Of Music Suppressed…
After Opening Plaudits, Even Best New Operas Face An Unsure Future
Even Greatest Voices Can Succumb To Nerves Or Imbibing Nasty Stuff
Seeking Higher Crest, Escher String Quartet Rides Wave Of Bartók
Visionary Koussevitzky Will Be Celebrated In Tanglewood Concerts
Our Critics’ Picks
Aspen Festival To Mark 75 Years As Wellspring Of Musical Nourishment
Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
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Posts by James Bash
James Bash
34 POSTS
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James Bash is a freelance writer based in Portland, Ore. He reviews Portland Opera productions for Opera Magazine and writes for a number of publications, including his blog,
Northwest Reverb
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Oregon Bach Fest, Caught In Turmoil, Is Light On Bach
James Bash
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June 27, 2019
‘Peer Gynt’ In Sound And Vision From Oregon Symphony
James Bash
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May 14, 2019
Puppet ‘Petrushka’ Casts Spell Over Magical Concert
James Bash
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November 8, 2018
Trans Women Seek Their New Voices In Unusual Hybrid
James Bash
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September 19, 2018
‘Silver River’ Finally Makes Its Debut At Northwest Festival
James Bash
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July 30, 2018
Flowing With Ali: Chamber Riffs On The Sixties Scene
James Bash
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July 13, 2018
Hertzberg Wins New Opera Honor For ‘Wake World’
James Bash
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April 9, 2018
Brexit Lends New Requiem Ex Post Facto Prescience
James Bash
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July 12, 2016
Sarasota Opera’s Verdi Cycle Ends With A Flourish
James Bash
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March 24, 2016
Coburn, Brownlee Win the Day for Seattle’s ‘Régiment’
James Bash
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October 19, 2013
Summer Festivals: Scenic Northwest Also a Wonderland Of...
James Bash
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May 18, 2013
The Holztrompete and Tristan und Isolde
James Bash
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June 7, 2011
Band of Gypsies! – Bass-baritone Mark Delavan Tells how a Family...
James Bash
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May 25, 2011
Elizabeth Harcombe talks about the art of page turning
James Bash
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June 7, 2010
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