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Classical Voice North America
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Around the U.S.
Death Of Garcia Lorca, More Gritty Than Grand, Brings Flamenco To…
Spirituals Are Bountiful But Drama Is Slight In Opera On Fisk…
Casting An Eerie Light On Music Amid Bones, Dust, And Sarcophagi
Orchestra As Lead Voice Rings True In Crowning A Concert ‘Ring’…
Percussion Ace Shows Gifts As Composer With Glittering Cello Concerto
Canada
Orchestra’s ‘Wake Up!’ Sets Up Season Opener That’s ‘Pictures’-Perfect
As Bruckner Turns 200, Fleshing Out The Ninth With Prelude, Epilogue
Born Of A Competition, String Quartet Festival Carves Its Own Niche
Festival Performance, Listeners On Point For Mahler 7th Symphony
Flourish Of Beethoven’s Last Piano Sonata Gives Pulse To Summer Music
World
Mahler On Home Turf: 7th Symphony Heard At Site Of Czech…
Through Different Prism: Rachmaninoff, Wagner As Festival Novelties
Weinberg Opera Rarity And ‘Hamlet’ In Concert Score High At Salzburg
Spontini Opera Revival Preserves Music, Adds Screams, Tosses Story
On Small Stage, British ‘Ring’ Cycle Scores Big On Imagination, Quality
Digital
Robeson Compendium: Like Trailblazing Artist, CD Set Is Monumental
Three Decades Later, Hamelin Revisits Depths Of The ‘Hammerklavier’
Vänskä And Minnesota Wrap Mahler Cycle With Sonically Glorious Third
Recapturing The Magic In Three Eclectic Ballets By A Neglected Master
It’s A Suite Of Brilliance As Conductor, Orchestra Co-star On Dazzling…
Perspectives
After Opening Plaudits, Even Best New Operas Face An Unsure Future
Even Greatest Voices Can Succumb To Nerves Or Imbibing Nasty Stuff
Seeking Higher Crest, Escher String Quartet Rides Wave Of Bartók
Visionary Koussevitzky Will Be Celebrated In Tanglewood Concerts
20th-Century American Operas Receding From View On Nation’s Stages
Our Critics’ Picks
Aspen Festival To Mark 75 Years As Wellspring Of Musical Nourishment
Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
Home
2015
Yearly Archives: 2015
Maestro Mälkki Set To Lead Fantasy Opera ‘Alice’ In LA
Richard S. Ginell
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February 24, 2015
Honoring Strauss, Concert Puts Spin On Metamorphosis
Mike Greenberg
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February 20, 2015
‘La donna del lago’ Makes A Belated Splash At The Met
Judith Malafronte
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February 20, 2015
East Greets West In A Now That Sounds Like Then
Colin Eatock
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February 17, 2015
2 Recordings Pull Composers From History’s Shadow
Paul Robinson
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February 15, 2015
LA Opera Conjures Corigliano’s ‘Ghosts’ And La Révolution
Richard S. Ginell
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February 13, 2015
Yannick Displays Russian Sound Of Rotterdam In U.S.
Rick Schultz
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February 12, 2015
At Seattle Opera, New Era Wafts In Via New Zealand
Philippa Kiraly
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February 10, 2015
The Worldly Wag Behind Cherubino, Rosina And Figaro!
Susan Brodie
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February 6, 2015
‘Lucia di Hyannis Port’? Bel Canto Madness Updated
Rebecca Schmid
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February 4, 2015
Andrew Patner, Noted Arts Critic, Dies Suddenly
Lawrence B. Johnson
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February 3, 2015
It’s Back to the Future for Electric Keyboards at NAMM
Richard S. Ginell
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January 28, 2015
In New Opera, Music Pries Open A Sealed Mind
Charles T. Downey
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January 28, 2015
Beyond The Galop, Dancing Horses Sashay To Mozart
Rebecca Schmid
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January 26, 2015
In Recaptured 7th, Echo Of Great One That Got Away
Richard S. Ginell
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January 24, 2015
Adams Embraces Beethoven’s Spirit In Second Quartet
Jeff Dunn
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January 22, 2015
‘Orfeo’ Takes Turn Toward The Bard At Royal Opera
George Loomis
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January 21, 2015
Figaro! (90210); It’s a Hoot … and it Works.
Richard S. Ginell
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January 21, 2015
Belated Górecki Symphony Falls Short Of Hit 3rd
Richard S. Ginell
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January 21, 2015
Rihm’s Thorny Concerto Leaves Listener In Lurch
Robert Battey
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January 20, 2015
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