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Around the U.S.
- Beleaguered Orchestra And New Music Director Hitch Wagon To Mahler
  New England Dreaming: Small City’s Dedication Has Orchestra Thriving
  Conductor Eun Sun Kim, Emerging Wagner Star, Leads Dazzling ‘Tristan’
  Death Of Garcia Lorca, More Gritty Than Grand, Brings Flamenco To…
  Spirituals Are Bountiful But Drama Is Slight In Opera On Fisk…
Canada
- In Concerto ‘Fandango,’ Violin Spins Old Forms Into Bright New Dances
  Orchestra’s ‘Wake Up!’ Sets Up Season Opener That’s ‘Pictures’-Perfect
  As Bruckner Turns 200, Fleshing Out The Ninth With Prelude, Epilogue
  Born Of A Competition, String Quartet Festival Carves Its Own Niche
  Festival Performance, Listeners On Point For Mahler 7th Symphony
World
- Greek Wins Conducting Competition; Japanese Hosts Merit Gold, Too
  Mahler On Home Turf: 7th Symphony Heard At Site Of Czech…
  Through Different Prism: Rachmaninoff, Wagner As Festival Novelties
  Weinberg Opera Rarity And ‘Hamlet’ In Concert Score High At Salzburg
  Spontini Opera Revival Preserves Music, Adds Screams, Tosses Story
Digital
- Shedding Words, Two Ensembles Articulate Charm Of Early Music
  Recording, Reassessing Saariaho Opera Whose Worth Is Still Unknown
  Robeson Compendium: Like Trailblazing Artist, CD Set Is Monumental
  Three Decades Later, Hamelin Revisits Depths Of The ‘Hammerklavier’
  Vänskä And Minnesota Wrap Mahler Cycle With Sonically Glorious Third
Perspectives
- After Opening Plaudits, Even Best New Operas Face An Unsure Future
  Even Greatest Voices Can Succumb To Nerves Or Imbibing Nasty Stuff
  Seeking Higher Crest, Escher String Quartet Rides Wave Of Bartók
  Visionary Koussevitzky Will Be Celebrated In Tanglewood Concerts
  20th-Century American Operas Receding From View On Nation’s Stages
Our Critics’ Picks
- Aspen Festival To Mark 75 Years As Wellspring Of Musical Nourishment
  Tennstedt Bio Reveals Great Maestro At Odds With World and…
  35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
  Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
  American Opera, Voices Flavor Creative Mix On Stages Across Europe

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June 26, 2010

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I go to a concert nearly every day. I'll tell you all about it here.

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Previous articleFierstein Still Blazes

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Gail Wein is a New York-based music journalist and media consultant. She is a contributor to Playbill, NPR, The Washington Post, and other media outlets.

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About
Join
Contact
Donate

About
Join
Contact
Donate
Around the U.S.
- Beleaguered Orchestra And New Music Director Hitch Wagon To Mahler
  New England Dreaming: Small City’s Dedication Has Orchestra Thriving
  Conductor Eun Sun Kim, Emerging Wagner Star, Leads Dazzling ‘Tristan’
  Death Of Garcia Lorca, More Gritty Than Grand, Brings Flamenco To…
  Spirituals Are Bountiful But Drama Is Slight In Opera On Fisk…
Canada
- In Concerto ‘Fandango,’ Violin Spins Old Forms Into Bright New Dances
  Orchestra’s ‘Wake Up!’ Sets Up Season Opener That’s ‘Pictures’-Perfect
  As Bruckner Turns 200, Fleshing Out The Ninth With Prelude, Epilogue
  Born Of A Competition, String Quartet Festival Carves Its Own Niche
  Festival Performance, Listeners On Point For Mahler 7th Symphony
World
- Greek Wins Conducting Competition; Japanese Hosts Merit Gold, Too
  Mahler On Home Turf: 7th Symphony Heard At Site Of Czech…
  Through Different Prism: Rachmaninoff, Wagner As Festival Novelties
  Weinberg Opera Rarity And ‘Hamlet’ In Concert Score High At Salzburg
  Spontini Opera Revival Preserves Music, Adds Screams, Tosses Story
Digital
- Shedding Words, Two Ensembles Articulate Charm Of Early Music
  Recording, Reassessing Saariaho Opera Whose Worth Is Still Unknown
  Robeson Compendium: Like Trailblazing Artist, CD Set Is Monumental
  Three Decades Later, Hamelin Revisits Depths Of The ‘Hammerklavier’
  Vänskä And Minnesota Wrap Mahler Cycle With Sonically Glorious Third
Perspectives
- After Opening Plaudits, Even Best New Operas Face An Unsure Future
  Even Greatest Voices Can Succumb To Nerves Or Imbibing Nasty Stuff
  Seeking Higher Crest, Escher String Quartet Rides Wave Of Bartók
  Visionary Koussevitzky Will Be Celebrated In Tanglewood Concerts
  20th-Century American Operas Receding From View On Nation’s Stages
Our Critics’ Picks
- Aspen Festival To Mark 75 Years As Wellspring Of Musical Nourishment
  Tennstedt Bio Reveals Great Maestro At Odds With World and…
  35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
  Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
  American Opera, Voices Flavor Creative Mix On Stages Across Europe

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