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Classical Voice North America
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Around the U.S.
Everything’s Up To Date In Concert ‘Oklahoma!’ As Elan Meets Swing
Well, That’s Just Ducky: Relishing The Absurd In A Wacko, Quacko…
High-Tide Expectations, But Salonen And LA Phil Only Create A Washout
No Rock In Sight, This Brünnhilde Finds A Spot In Orchestra’s…
In A Concert Squeeze, Barber’s ‘Vanessa’ Still Flashes Dramatic Edge
Canada
Out, Out, Viol Spots: Bach’s Luster Dulled In Antique Transcriptions
Shadowed Masterpiece Revealed In Full Light With A Stirring ‘Jenůfa’
On All-Sibelius Program, Symphonies Ruled, But Violin Concerto Soared
A Deep Dive Into Chopin After Splashing Surface Of Grieg And…
Conductor On The Fly Pauses To Give Mahler Breath, Scope Of…
World
Chamber Music Offers Welcome Respite From Hong Kong Hurly-Burly
Autumn Fest Celebrates Artistic Innovation With Zeal Of A Rite Of…
‘Cosi’ As Reality Show, Rare Donizetti Updated (With A Pregnant Pause)
Strauss Junior At 200: Soul Of A City, Emblem Of Era…
Across Pair Of Concerts And 4,800 Miles, Japan Links Up With…
Digital
Revitalizing Light Falls On Neglected Works Of Romantic Master Hiller
Adès Opera, Recycled As Symphony, Headlines A Terse Minnesota CD
Choral Recording Series Spotlights 13 Women Composers Of Canada
Two Albums Celebrate Iconoclastic Erik Satie With Stylish Adaptations
Surveying Scaled-Down Art Of British Composer Known For His Grandeur
Perspectives
2,700 Insights: CVNA’s Expert Reviews Deliver World Of Music To You
Opera As Battleground: Author Sees Lyric Stage In Never-Ending Struggle
As Season Winds Down, Spirit Of The New Buoys South American…
Conjuring Varèse In 100 Flute Commissions, On ‘Classical Gas’ Podcast
As S. Korea’s Birth Rate Drops, Classical Music Needs A Creative…
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Perspectives
‘X’ At Last Marks Spot For Anthony Davis In World Of Modern Opera
Kyle MacMillan
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January 24, 2024
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