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Classical Voice North America
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Around the U.S.
Beleaguered Orchestra And New Music Director Hitch Wagon To Mahler
New England Dreaming: Small City’s Dedication Has Orchestra Thriving
Conductor Eun Sun Kim, Emerging Wagner Star, Leads Dazzling ‘Tristan’
Death Of Garcia Lorca, More Gritty Than Grand, Brings Flamenco To…
Spirituals Are Bountiful But Drama Is Slight In Opera On Fisk…
Canada
In Concerto ‘Fandango,’ Violin Spins Old Forms Into Bright New Dances
Orchestra’s ‘Wake Up!’ Sets Up Season Opener That’s ‘Pictures’-Perfect
As Bruckner Turns 200, Fleshing Out The Ninth With Prelude, Epilogue
Born Of A Competition, String Quartet Festival Carves Its Own Niche
Festival Performance, Listeners On Point For Mahler 7th Symphony
World
Greek Wins Conducting Competition; Japanese Hosts Merit Gold, Too
Mahler On Home Turf: 7th Symphony Heard At Site Of Czech…
Through Different Prism: Rachmaninoff, Wagner As Festival Novelties
Weinberg Opera Rarity And ‘Hamlet’ In Concert Score High At Salzburg
Spontini Opera Revival Preserves Music, Adds Screams, Tosses Story
Digital
Shedding Words, Two Ensembles Articulate Charm Of Early Music
Recording, Reassessing Saariaho Opera Whose Worth Is Still Unknown
Robeson Compendium: Like Trailblazing Artist, CD Set Is Monumental
Three Decades Later, Hamelin Revisits Depths Of The ‘Hammerklavier’
Vänskä And Minnesota Wrap Mahler Cycle With Sonically Glorious Third
Perspectives
After Opening Plaudits, Even Best New Operas Face An Unsure Future
Even Greatest Voices Can Succumb To Nerves Or Imbibing Nasty Stuff
Seeking Higher Crest, Escher String Quartet Rides Wave Of Bartók
Visionary Koussevitzky Will Be Celebrated In Tanglewood Concerts
20th-Century American Operas Receding From View On Nation’s Stages
Our Critics’ Picks
Aspen Festival To Mark 75 Years As Wellspring Of Musical Nourishment
Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
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Seattle Symphony
Tag: Seattle Symphony
Orchestra In Transition Serves Latin Licks, But ‘Rhapsody’ Isn’t Bluesy
Jason Victor Serinus
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September 17, 2024
Desolation Illustrated: Frozen, Deathly Vistas Of ‘Sinfonia Antartica’
Thomas May
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April 29, 2024
Conducting Laureate Shows Flair For Mahler With Third Symphony
Thomas May
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April 15, 2024
As Orchestra Searches For Helmsman, Vänskä Proves It’s Not Adrift
Jason Victor Serinus
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March 25, 2024
As Composer Reflects On Life Of His Mother, Memory Meets Music
Thomas May
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February 7, 2024
Orchestra Celebrating Its Birth And Its House Also Showcases Growth
Jason Victor Serinus
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September 24, 2023
Vänskä’s Mahler Second Leaves Dual Impression Of Restraint, Passion
Thomas May
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June 30, 2023
Music Of Shostakovich Brings Fresh Drama To Silent Film ‘Potemkin’
Thomas May
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April 26, 2023
Worldly Cello Concerto Gathers Its Movements From Three Continents
Jason Victor Serinus
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March 28, 2023
A Japanese Tone Poem Conjures Formlessness Of World At Its Dawning
Jason Victor Serinus
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February 6, 2023
A ‘Buddha Passion’: Amid Sound And Fury, Tales Of Self-Sacrifice
Jason Victor Serinus
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November 15, 2022
An Electrified Concerto Zaps Violin Tradition With Cosmic Fantasy
Thomas May
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November 7, 2022
As A Musical Olympian, In Sprint And Marathon, Salonen Shows Mettle
Thomas May
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October 5, 2022
Rallying From Disarray To Pull Together Verdi Requiem To Remember
Jason Victor Serinus
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June 21, 2022
Ascending To The Stars On Messiaen Trek From The Canyons, Illustrated
Thomas May
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June 6, 2022
Covid As Music: ‘Today And Today And Today…’ Then, In Sibelius,...
Jason Victor Serinus
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February 6, 2022
Edging Into Concerts, Seattle Symphony Puts Twin Tasks On Barnatan
Jason Victor Serinus
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May 26, 2021
Divorced ‘Figaro’ Stands Proudly Beside ‘Emperor’
Jason Victor Serinus
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January 13, 2020
Offbeat Program Brings Morlot Era To Close In Seattle
Jason Victor Serinus
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June 28, 2019
‘Surrogate Cities’ Remains The Real Goebbels Thing
Jason Victor Serinus
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May 2, 2019
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