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Classical Voice North America
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Around the U.S.
With A Searing ‘Salome,’ Opera Company Shows It’s Back In The Dance
2 Off-The-Wall Operas, One Starring A Cello, One A Singing Dummy
‘The Shining’ As Opera Is Mad, Brutal, Tragic In A Horrifically…
A ‘Cosi’ Full Of Laughs (The Girls Are Clued In) But…
Starry ‘Indigo Heaven’ Concerto Is Principal Clarinet’s Sparkle Time
Canada
Amid Candy Hawkers, Spirited New-Music Fest Offers Plenty Of Crunch
Soft Were The Sounds, Their Meaning Tacit, That The Takács Spun
With Just Piano, Mozart In Vast Space, Yundi Li Strikes A…
‘Hamlet’ Opera Revived, But In Sooth, This Play Was Not The…
In Concerto ‘Fandango,’ Violin Spins Old Forms Into Bright New Dances
World
As Tradition, Virtuosity Command Center Stage, A Festival Seeks Identity
Double Dose Of ‘Norma’ Offers Rewards But Also Begs Serious Questions
Johann Strauss Bonbon Unwrapped As A Tasty Bicentennial Confection
Paris Voices: A Sojourn From Modernism To Raw Take on ‘Rigoletto’
Schoenberg Anniversary Celebrated In Concerts That Honor Modernists
Digital
Musing On Busoni: Pianist Gets At Roots Of An Undervalued Master
In Timely Revelations, Recordings Celebrate The March Of Women
Another Scarlatti Takes Limelight In Oratorio Of Daniel In The Lion’s…
On New Tracks, Silkroad Traces Multiethnic Cost Of America’s Railways
In An Exotic Travelogue, Wafting Down Silk Road With Oslo Wind…
Perspectives
Historically Apt Practice Spreads Across Epochs, Adding Musical Insights
Soprano On Schoenberg And Moonstruck Pierrot: Wein’s Classical Gas 2.0
Renaissance Man Looks Into Music’s Mirror And Sees Humanity’s Image
Challenging Art Of Ives Launches New Podcast Hosted By Gail Wein
Denk Celebrates Ives, That Thorny American, In Anniversary Recital
Our Critics’ Picks
Aspen Festival To Mark 75 Years As Wellspring Of Musical Nourishment
Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
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Seattle Symphony
Tag: Seattle Symphony
Orchestra Is Way Over The Moon With Its New Conductor At...
Jason Victor Serinus
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March 30, 2025
Orchestra In Transition Serves Latin Licks, But ‘Rhapsody’ Isn’t Bluesy
Jason Victor Serinus
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September 17, 2024
Desolation Illustrated: Frozen, Deathly Vistas Of ‘Sinfonia Antartica’
Thomas May
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April 29, 2024
Conducting Laureate Shows Flair For Mahler With Third Symphony
Thomas May
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April 15, 2024
As Orchestra Searches For Helmsman, Vänskä Proves It’s Not Adrift
Jason Victor Serinus
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March 25, 2024
As Composer Reflects On Life Of His Mother, Memory Meets Music
Thomas May
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February 7, 2024
Orchestra Celebrating Its Birth And Its House Also Showcases Growth
Jason Victor Serinus
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September 24, 2023
Vänskä’s Mahler Second Leaves Dual Impression Of Restraint, Passion
Thomas May
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June 30, 2023
Music Of Shostakovich Brings Fresh Drama To Silent Film ‘Potemkin’
Thomas May
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April 26, 2023
Worldly Cello Concerto Gathers Its Movements From Three Continents
Jason Victor Serinus
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March 28, 2023
A Japanese Tone Poem Conjures Formlessness Of World At Its Dawning
Jason Victor Serinus
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February 6, 2023
A ‘Buddha Passion’: Amid Sound And Fury, Tales Of Self-Sacrifice
Jason Victor Serinus
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November 15, 2022
An Electrified Concerto Zaps Violin Tradition With Cosmic Fantasy
Thomas May
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November 7, 2022
As A Musical Olympian, In Sprint And Marathon, Salonen Shows Mettle
Thomas May
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October 5, 2022
Rallying From Disarray To Pull Together Verdi Requiem To Remember
Jason Victor Serinus
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June 21, 2022
Ascending To The Stars On Messiaen Trek From The Canyons, Illustrated
Thomas May
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June 6, 2022
Covid As Music: ‘Today And Today And Today…’ Then, In Sibelius,...
Jason Victor Serinus
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February 6, 2022
Edging Into Concerts, Seattle Symphony Puts Twin Tasks On Barnatan
Jason Victor Serinus
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May 26, 2021
Divorced ‘Figaro’ Stands Proudly Beside ‘Emperor’
Jason Victor Serinus
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January 13, 2020
Offbeat Program Brings Morlot Era To Close In Seattle
Jason Victor Serinus
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June 28, 2019
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