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Classical Voice North America
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Around the U.S.
Worlds And Time Apart, Works Of Two Cultures Create Concert Bridge
That’s A Wrap: Dudamel Closes His LA Run With A Spectacular…
‘The Post Office,’ Opera Tied To Gay Issues, Has Ring Of…
Maestro Subs In Mahler, And The Effect Conjures An Orchestra’s Bloodline
Pintscher Turns Debut Into Fanfare Event With Copland 3rd Symphony
Canada
No Sets, No Costumes, But Music, Imagination Fire Concert ‘Turandot’
On An Ambitious Spring Trek, Singer And Pianist Cycle Through Schubert
Oh, You Kid! As Young Musicians Rise, Slatkin Shows Veteran Finesse
Braving Cold Rewarded In Bracing Concerts Of Tchaikovsky, Film Fare
Out, Out, Viol Spots: Bach’s Luster Dulled In Antique Transcriptions
World
Athens State Orchestra Plays Concert Honoring U.S. Semiquincentennial
Proto-AI In A Music Box: Mystic Schreker Opera Receives Vibrant Revival
Send-Up Of Opera Seria By An 18th-Century Wit Who Knew It…
Early Verdi Tragedy Set In Food Delivery Culture. (Fries With That?)
Musical Culture Reigns In Dutch Competitions For Piano And Violin
Digital
Cleveland Orchestra’s Portrait Of A Composer Profiles Community Ties
In Paean To Mythic Idyll, A Recording Embraces Spirit Of The…
Taking On Prokofiev With Pianistic Means, But Wit Waxes, Wanes
5 Winds Caress Legacy Of Nadia Boulanger And Her Musical Progeny
Trove Of Recordings Draws Back Curtain On Legacy Of Radu Lupu
Perspectives
A Storyteller Of Parts, He’s Everyman’s Entree To Trove Of Great…
After Long Directorship, Venerable Festival Likes Playing It Year By Year
Michael Tilson Thomas (MTT Or Just Michael), The Nonstop Adventurer
New On Classical Gas: Seeing Clara Schumann Through A Modern Lens
Carlisle Floyd At 100: Music World Celebrates American Opera Legend
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Rodgers & Hammerstein
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Rodgers & Hammerstein
Around the U.S.
New Perspectives Revivify ‘Carousel’ And ‘My Fair Lady’
Matthew Gurewitsch
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May 3, 2018
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