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Classical Voice North America
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Around the U.S.
The Met’s ‘Frau’ Unfurls Bounty To Be Savored Again — And…
Royal Concertgebouw, Mäkelä Parade Colors To Kick Off U.S. Tour
Noon To Midnight Bash: Mix Of Musical Genres With A Beer…
Letters Sung Of Love Found, Lost By Juliets And All Their…
One Singer’s Memorable Turn As Another Whose Memory Is Fading Away
Canada
‘Hamlet’ Opera Revived, But In Sooth, This Play Was Not The…
In Concerto ‘Fandango,’ Violin Spins Old Forms Into Bright New Dances
Orchestra’s ‘Wake Up!’ Sets Up Season Opener That’s ‘Pictures’-Perfect
As Bruckner Turns 200, Fleshing Out The Ninth With Prelude, Epilogue
Born Of A Competition, String Quartet Festival Carves Its Own Niche
World
Schoenberg Anniversary Celebrated In Concerts That Honor Modernists
Greek Wins Conducting Competition; Japanese Hosts Merit Gold, Too
Mahler On Home Turf: 7th Symphony Heard At Site Of Czech…
Through Different Prism: Rachmaninoff, Wagner As Festival Novelties
Weinberg Opera Rarity And ‘Hamlet’ In Concert Score High At Salzburg
Digital
Bryce Dessner’s ‘Solos’ Recording Is A Paradox: It’s About Connections
Ambitious Album Casts Light On The Composer Inside Conductor MTT
Musical Cultures Meld In Renaissance-Based CD Creatively Spiced
Shedding Words, Two Ensembles Articulate Charm Of Early Music
Recording, Reassessing Saariaho Opera Whose Worth Is Still Unknown
Perspectives
Smoking Performances At U.K. Opera Houses Now Under Political Fire
Embracing, Unvarnished Jolie-As-Callas Biopic Hits A High B-Plus
Grand Dame Von Stade Makes New Recording, And Declares It Her…
A Singer Sees The Light In Dark World Of Music Suppressed…
After Opening Plaudits, Even Best New Operas Face An Unsure Future
Our Critics’ Picks
Aspen Festival To Mark 75 Years As Wellspring Of Musical Nourishment
Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
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Around the U.S.
Font Of Lyricism Flows Again In New Floyd Opera
William Albright
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March 10, 2016
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