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Classical Voice North America
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Around the U.S.
Death Of Garcia Lorca, More Gritty Than Grand, Brings Flamenco To…
Spirituals Are Bountiful But Drama Is Slight In Opera On Fisk…
Casting An Eerie Light On Music Amid Bones, Dust, And Sarcophagi
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Orchestra’s ‘Wake Up!’ Sets Up Season Opener That’s ‘Pictures’-Perfect
As Bruckner Turns 200, Fleshing Out The Ninth With Prelude, Epilogue
Born Of A Competition, String Quartet Festival Carves Its Own Niche
Festival Performance, Listeners On Point For Mahler 7th Symphony
Flourish Of Beethoven’s Last Piano Sonata Gives Pulse To Summer Music
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Greek Wins Conducting Competition; Japanese Hosts Merit Gold, Too
Mahler On Home Turf: 7th Symphony Heard At Site Of Czech…
Through Different Prism: Rachmaninoff, Wagner As Festival Novelties
Weinberg Opera Rarity And ‘Hamlet’ In Concert Score High At Salzburg
Spontini Opera Revival Preserves Music, Adds Screams, Tosses Story
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Robeson Compendium: Like Trailblazing Artist, CD Set Is Monumental
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Vänskä And Minnesota Wrap Mahler Cycle With Sonically Glorious Third
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It’s A Suite Of Brilliance As Conductor, Orchestra Co-star On Dazzling…
Perspectives
After Opening Plaudits, Even Best New Operas Face An Unsure Future
Even Greatest Voices Can Succumb To Nerves Or Imbibing Nasty Stuff
Seeking Higher Crest, Escher String Quartet Rides Wave Of Bartók
Visionary Koussevitzky Will Be Celebrated In Tanglewood Concerts
20th-Century American Operas Receding From View On Nation’s Stages
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American Opera, Voices Flavor Creative Mix On Stages Across Europe
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Philip Skinner
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SF Opera Outdoors: Rossini Gets Big Stage As ‘Barber’ Gets...
Janos Gereben
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May 4, 2021
Classical Voice North America
