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Classical Voice North America
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Around the U.S.
In Leadership Turmoil, Oregon Bach Festival Showcases Its Vitality
‘Beethoven Effect,’ Still Felt Across Generations, Sparks A Chamber Fest
As Vocalists Sink Teeth, Words And Genres Get Pushed, Pulled, Chewed
Bach Festival, Newly Adventurous, Turns Its Spotlight On Monteverdi
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Canada
A Veiled Treasure: Redesigned Church As Intimate Concert Hall
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Scaling Strauss Twice, And Matching Peaks In The ‘Alpine Symphony’
Beach’s Grand Mass Dusted Off, Cut Down, Its Fresh Vision Intact
All Hands On Deck: Orchestra Shares Stage With ‘Rheingold’ Singers
World
On Small Stage, British ‘Ring’ Cycle Scores Big On Imagination, Quality
Puccini Opera Marathon, Romanian Style, Honors Centennial Of His Death
‘Thrill Of A Lifetime’: Critic As Chorister Sings Bach At…
In Grotesque ‘Salome,’ Lise Davidsen Leaves Marker For The Ages
Maestro Takes A Stand With Frenetic Bruckner (Musicians Stand, Too)
Digital
New Video Of ‘Rusalka’ Is Appealing Evidence Of Its Rising Popularity
Applying Modern Prism, CD Shifts Perspectives On Women Composers
Rare Tchaikovsky Opera Displays Charms Before Killing The Characters
Motets From History’s Shadows Are Diamonds In Rough Performance
Out Of A Covid Project, Mozart Piano Sonatas Eloquent And Complete
Perspectives
20th-Century American Operas Receding From View On Nation’s Stages
On A Break From Audio, Fabulous Live Sound Of Opera And…
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Our Critics’ Picks
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Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
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Crumb’s Spanish, American Songs Make CD Debuts
Richard S. Ginell
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September 2, 2014
Classical Voice North America
