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Classical Voice North America
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Around the U.S.
Nadia Boulanger Opera, Despite Cuts, Displays Teacher’s Own Mastery
Jesus’ Death: A Drama Drawn Lean For Harp, Mark Morris Dancers
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Conducting Laureate Shows Flair For Mahler With Third Symphony
Canada
Making Surprise Debut As Murderous Medea, Naturally She Killed It
All Hands On Deck: Orchestra Shares Stage With ‘Rheingold’ Singers
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2 Canadian Orchestras Combine In Symphony Honoring WWII French
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Trip To Greek Homeland Mingles Nostalgia With A Fierce ‘Lady Macbeth’
Aussies Around Globe Gather As All-Stars For An Ardent Mahler Ninth
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Baritenor’s CD Traces Glittering Paths That Led Opera To Wagner
Even Lacking Visuals, Handel’s Vivid Music Illustrates ‘Alcina’ CD
Freshening Up Josquin With A Scholarly Flair, Down-To-Earth Clarity
Through Diverse Voices Over Millennia, Cantata Invokes Spirit Of Mercy
Schubert Song Cycles, Recycled In Lyric Glory Of Marginalized Mezzo
Perspectives
Even In Twilight Years, Andrew Davis Brought Lifelong Zest To Podium
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Our Critics’ Picks
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American Opera, Voices Flavor Creative Mix On Stages Across Europe
A Conductor’s Practical Book On Making A Life Of Waving One’s…
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Tag: Patria
Oddly Enough, Schafer Non-opera Makes Good Opera
Colin Eatock
-
March 9, 2017
Classical Voice North America
