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Classical Voice North America
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Around the U.S.
Beleaguered Orchestra And New Music Director Hitch Wagon To Mahler
New England Dreaming: Small City’s Dedication Has Orchestra Thriving
Conductor Eun Sun Kim, Emerging Wagner Star, Leads Dazzling ‘Tristan’
Death Of Garcia Lorca, More Gritty Than Grand, Brings Flamenco To…
Spirituals Are Bountiful But Drama Is Slight In Opera On Fisk…
Canada
In Concerto ‘Fandango,’ Violin Spins Old Forms Into Bright New Dances
Orchestra’s ‘Wake Up!’ Sets Up Season Opener That’s ‘Pictures’-Perfect
As Bruckner Turns 200, Fleshing Out The Ninth With Prelude, Epilogue
Born Of A Competition, String Quartet Festival Carves Its Own Niche
Festival Performance, Listeners On Point For Mahler 7th Symphony
World
Greek Wins Conducting Competition; Japanese Hosts Merit Gold, Too
Mahler On Home Turf: 7th Symphony Heard At Site Of Czech…
Through Different Prism: Rachmaninoff, Wagner As Festival Novelties
Weinberg Opera Rarity And ‘Hamlet’ In Concert Score High At Salzburg
Spontini Opera Revival Preserves Music, Adds Screams, Tosses Story
Digital
Shedding Words, Two Ensembles Articulate Charm Of Early Music
Recording, Reassessing Saariaho Opera Whose Worth Is Still Unknown
Robeson Compendium: Like Trailblazing Artist, CD Set Is Monumental
Three Decades Later, Hamelin Revisits Depths Of The ‘Hammerklavier’
Vänskä And Minnesota Wrap Mahler Cycle With Sonically Glorious Third
Perspectives
After Opening Plaudits, Even Best New Operas Face An Unsure Future
Even Greatest Voices Can Succumb To Nerves Or Imbibing Nasty Stuff
Seeking Higher Crest, Escher String Quartet Rides Wave Of Bartók
Visionary Koussevitzky Will Be Celebrated In Tanglewood Concerts
20th-Century American Operas Receding From View On Nation’s Stages
Our Critics’ Picks
Aspen Festival To Mark 75 Years As Wellspring Of Musical Nourishment
Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
Home
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New York Philharmonic
Tag: New York Philharmonic
Amid The Chaos Of War, Music As Documentary Observes The Homeless
David Patrick Stearns
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May 15, 2024
Oratorio ‘Émigré’ Recalls Jews Fleeing Germany Into Chinese Embrace
Gail Wein
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February 26, 2024
Handel Buffs Have Their Moment With A Pair Of Stylish Choral...
David Shengold
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October 29, 2023
Elemental Recipe Was Not Easy: 5 Composers, Violinist, New York Phil
David Patrick Stearns
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October 2, 2023
3 Women Conductors Eclipse Gender Issues In NY Phil Concerts
David Patrick Stearns
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March 1, 2023
Finnish Maestro Rouvali Fires Up The NY Phil — And Raises...
David Patrick Stearns
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January 18, 2023
Its Acoustics Reworked, NY Philharmonic’s Hall Makes Resonant Return
Jack Sullivan
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October 13, 2022
NY Phil’s Hall Receives A Gorgeous Makeover; Now, About That Sound
Gail Wein
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October 10, 2022
In Fresh NY Phil Series, A Countertenor Brings Zest Of Counterculture
Susan Brodie
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February 4, 2022
With Mälkki’s Guidance, In Carnegie’s Embrace, NY Philharmonic Glows
Jack Sullivan
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January 10, 2022
A ‘Messiah’ As Theater, Where Historical Style Meets Modern Staging
David Shengold
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December 17, 2021
Playing In New Spaces, Dispossessed NY Phil Revels In Fresh Light
Jack Sullivan
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December 2, 2021
Cloud Over Van Zweden Exit From NY Phil Veils His Gifts...
David Patrick Stearns
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October 15, 2021
Bruckner Faces Exodus Following Bounty Of Modern
Leslie Kandell
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February 24, 2020
For An Australian In NY, Premieres Grand, Intimate
Anne E. Johnson
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February 10, 2020
New Music Means Vibrant Night On Town At NY Phil
Susan Brodie
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November 19, 2019
Bartók-Schoenberg Is Super-Dramatic Pairing At NY Phil
David Patrick Stearns
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September 29, 2019
Lang’s ‘prisoner:’ Freedom Chained In ‘Fidelio’s’ Prism
Nancy Malitz
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June 10, 2019
Wolfe ‘Fire’ Is Epic Political Oratorio On Tragic History
Xenia Hanusiak
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January 28, 2019
Van Zweden’s ‘Rite’ Of Passage In NY Invokes Questions
Barbara Jepson
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September 24, 2018
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Classical Voice North America