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Classical Voice North America
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Around the U.S.
Oratorio Of The Oceans Blows Spray Of Imagery Evoking Climate Change
Irish Baroque Orchestra, Countertenor Bring Heat To Early Classical Fare
Brave Company Tames Beastly Film/Stage Tale Of Cocteau/Glass ‘Belle’
New Music’s In NY Air; Philharmonic Taps That Theme With Variations
An Operetta Confection Revived Amid Splendor Of Song (And Laughter)
Canada
Oh, You Kid! As Young Musicians Rise, Slatkin Shows Veteran Finesse
Braving Cold Rewarded In Bracing Concerts Of Tchaikovsky, Film Fare
Out, Out, Viol Spots: Bach’s Luster Dulled In Antique Transcriptions
Shadowed Masterpiece Revealed In Full Light With A Stirring ‘Jenůfa’
On All-Sibelius Program, Symphonies Ruled, But Violin Concerto Soared
World
Send-Up Of Opera Seria By An 18th-Century Wit Who Knew It…
Early Verdi Tragedy Set In Food Delivery Culture. (Fries With That?)
Musical Culture Reigns In Dutch Competitions For Piano And Violin
Frankfurt Opera Trek: Baroque To ‘Carmen’ To A Holocaust Flashback
When Hahn Bows Out, Kyrgyzstan Violinist Polishes Up Prokofiev
Digital
Never Mind Smetana’s Comedic ‘Bride’; Catch Laughs Of ‘Two Widows’
Lim’s ‘Goldbergs’ On CD: Letting Romanticism In To Sing Bach’s Rhetoric
Joy Amid A Mélange: Music Of Hilda Paredes Sparks A Refreshing CD
New Recording Displays Sensual Component In David Lang’s Choral Art
A New Coleridge-Taylor Discovered, Composer Worthy Of Her Father
Perspectives
Carlisle Floyd At 100: Music World Celebrates American Opera Legend
Performance Can Take Music Down Pathways Blazed By Circumstance
Joan Tower, 87, Joins Gail Wein’s Podcast For Remarkable Look Back
2,700 Insights: CVNA’s Expert Reviews Deliver World Of Music To You
Opera As Battleground: Author Sees Lyric Stage In Never-Ending Struggle
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Music in Twelve Parts
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Music in Twelve Parts
Around the U.S.
Revisiting A Watershed: Glass’ ‘12 Parts’ Given 50-Year Concert Revival
John Rockwell
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May 30, 2024
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