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Classical Voice North America
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Around the U.S.
Josephine Baker Meets Leoncavallo’s Clowns; Depth Trumps Verismo
Smetana Bicentennial, U.S. Opera Premiere Both Arrive A Bit Late
Fresh Voices, Concepts Illuminate Bel Canto In Pair Of Opera Concerts
Gothic ‘Vanessa’: Barber’s Opera Pared To Its Stark, Chilling Core
After Modulating Away From Key Center, Fest Puts The B Back In…
Canada
Countertenor, A Funky Band, And Arcane Rep. Impression: Meh-Plus
Elegant Quartet Affirms Grosse Fuge As Fixture (See Cellphone For Info)
Versatile Baritone Wins Prize For Art Song In Montreal Competition
Payare, Going Big, Links ‘Erde’ Of Mahler, Earth Of Indigenous Cultures
In An Operatic Spectacle Of Courtly Amusements, Two Biblical Bros Bond
World
A Celebration Of Pärt, With Järvi ‘Dynasty’ Of Conductors On Podium
Capping Berlin’s Opera Season, Two Excursions Into The New And Bold
Eclectic Festival Mixes Historical ‘Siegfried,’ Spin On Shostakovich
In Polished Simplicity, ‘Ring’ Cycle Reflects Heroic Performances
G.I. Jack (The Ripper): Opera Sketches A Killer Who Wasn’t A…
Digital
Departing On Track 16: Board Here For The Best View Of…
In Hungarian Recording Of Mythic French Opera, Style Reigns With King
Beyond ‘Carmen’: CDs, Book Widen Perspective On Bizet’s Creative Life
Artfully Manic Delivery Of Comic Opera Proves Salieri Was No Joke
Percussion Recording Becomes Memorial For Featured Tabla Master
Perspectives
Lalo Schifrin: Reflecting On A Stylish Composer And A Personal Loss
Double Dealing: Sharp Contrast In Two Takes On ‘Queen Of Spades’
Ariel Quartet Embarks On Beethoven Journey, Exploring Its Own DNA
Symphonic Spectacles Display High Standard Of Polish Orchestras
Pianist Beatrice Rana, Virtuoso With The Gift Of Master Story-Teller
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Miriam Manasherov
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Miriam Manasherov
Around the U.S.
Humane Vision: Crucible For Arab, Israeli Musicians
Lawrence B. Johnson
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November 8, 2018
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