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Classical Voice North America
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Around the U.S.
After A Long Absence, ‘Parsifal’ At SF Opera Approaches Holy Grail
Maestro, Sound System Both Take First Bow On Londoners’ Tour Of…
Birthday Concert Turns Into ‘Living Room’ Party For Esperanza Spalding
Flowing Robes, Fluent Performance, And Fresh Approach To J.S. Bach
At Indigenous Art Show, Composer Offers Works For The Eye And…
Canada
On All-Sibelius Program, Symphonies Ruled, But Violin Concerto Soared
A Deep Dive Into Chopin After Splashing Surface Of Grieg And…
Conductor On The Fly Pauses To Give Mahler Breath, Scope Of…
Countertenor, A Funky Band, And Arcane Rep. Impression: Meh-Plus
Elegant Quartet Affirms Grosse Fuge As Fixture (See Cellphone For Info)
World
‘Tannhäuser’ Twice: Seduction, Deliverance In Vienna And Geneva
Spreading Its Wings, Concert World Enfolds Composers On Margins
Quartet Of Productions A Stellar Start For New Boss At Zurich…
Wagner At Bayreuth: Ringing Traversal From ‘Lohengrin’ To ‘Siegfried’
Early Music Fest Spins Timeless War Between Puppets And Masters
Digital
Early-Music Recordings Capture Antiquity And Its Modern Reflections
Songs Without Words: Reimagining Poulenc For Violin And Piano
With A Swell Of Voices, Recording Embellishes Florence Price Legacy
Departing On Track 16: Board Here For The Best View Of…
In Hungarian Recording Of Mythic French Opera, Style Reigns With King
Perspectives
As S. Korea’s Birth Rate Drops, Classical Music Needs A Creative…
Nights In Opera Gardens Of Spain: Delights From Zarzuela To ‘Wozzeck’
Coming-Of-Age Memoir Chronicles Life Abloom Amid Musical Legends
Quartet Founder Talks Beethoven, Bob Dylan On New ‘Classical Gas’
In Spirit Of Harmony, Pacific Northwest Fests Showcase Their Wares
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LA Opera Conjures Corigliano’s ‘Ghosts’ And La Révolution
Richard S. Ginell
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February 13, 2015
Classical Voice North America