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Classical Voice North America
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Around the U.S.
The Met’s ‘Frau’ Unfurls Bounty To Be Savored Again — And…
Royal Concertgebouw, Mäkelä Parade Colors To Kick Off U.S. Tour
Noon To Midnight Bash: Mix Of Musical Genres With A Beer…
Letters Sung Of Love Found, Lost By Juliets And All Their…
One Singer’s Memorable Turn As Another Whose Memory Is Fading Away
Canada
‘Hamlet’ Opera Revived, But In Sooth, This Play Was Not The…
In Concerto ‘Fandango,’ Violin Spins Old Forms Into Bright New Dances
Orchestra’s ‘Wake Up!’ Sets Up Season Opener That’s ‘Pictures’-Perfect
As Bruckner Turns 200, Fleshing Out The Ninth With Prelude, Epilogue
Born Of A Competition, String Quartet Festival Carves Its Own Niche
World
Schoenberg Anniversary Celebrated In Concerts That Honor Modernists
Greek Wins Conducting Competition; Japanese Hosts Merit Gold, Too
Mahler On Home Turf: 7th Symphony Heard At Site Of Czech…
Through Different Prism: Rachmaninoff, Wagner As Festival Novelties
Weinberg Opera Rarity And ‘Hamlet’ In Concert Score High At Salzburg
Digital
Bryce Dessner’s ‘Solos’ Recording Is A Paradox: It’s About Connections
Ambitious Album Casts Light On The Composer Inside Conductor MTT
Musical Cultures Meld In Renaissance-Based CD Creatively Spiced
Shedding Words, Two Ensembles Articulate Charm Of Early Music
Recording, Reassessing Saariaho Opera Whose Worth Is Still Unknown
Perspectives
Amid The Tour Baggage, Clear Signs Of A Bond Between Maestro,…
Smoking Performances At U.K. Opera Houses Now Under Political Fire
Embracing, Unvarnished Jolie-As-Callas Biopic Hits A High B-Plus
Grand Dame Von Stade Makes New Recording, And Declares It Her…
A Singer Sees The Light In Dark World Of Music Suppressed…
Our Critics’ Picks
Aspen Festival To Mark 75 Years As Wellspring Of Musical Nourishment
Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
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Los angeles Philharmonic
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Los angeles Philharmonic
Around the U.S.
Philip Glass’ New Bowie Symphony Mismatches Styles
Richard S. Ginell
-
January 14, 2019
Around the U.S.
MTT, Back In LA, Offers Riposte To ‘Exceptionalism’
Richard S. Ginell
-
December 6, 2018
Around the U.S.
Shakespeare Meets Sibelius, Auden In A Tedious ‘Tempest’
Richard S. Ginell
-
November 15, 2018
Around the U.S.
Opera (Un)Caged In Fluxus Fest’s Anarchic Opening
Rick Schultz
-
November 10, 2018
Around the U.S.
LA Phil Unveils Vibrant Andrew Norman Creation
Richard S. Ginell
-
October 9, 2018
Around the U.S.
Street Scenes: LA Phil Embraces City In ‘Celebrate LA’
Richard S. Ginell
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October 5, 2018
Around the U.S.
A Ravishing Rarity By Schumann Ends The LA Phil Season
Richard S. Ginell
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June 7, 2018
Around the U.S.
Dudamel Begins Schumann Cycle On Promising Note
Richard S. Ginell
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May 21, 2018
Around the U.S.
Presto Change-O: Delay In New Work Draws Creative Fix
Richard S. Ginell
-
April 20, 2018
Around the U.S.
Conductor Salonen Advances His Twin Side As Composer
Rick Schultz
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April 19, 2018
Around the U.S.
Mahler As Video: High-Tech Gilding Of ‘Das Lied’s’ Lily
Richard S. Ginell
-
April 9, 2018
Around the U.S.
Muhly Organ Work A Cavalcade Of Moods And Colors
Richard S. Ginell
-
March 2, 2018
Around the U.S.
Salonen Summons Three Superstars For Concerto Fest
Richard S. Ginell
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February 13, 2018
Around the U.S.
Bernstein’s ‘Mass’: Passion Affirmed, If Not Relevance
Rick Schultz
-
February 10, 2018
Around the U.S.
LA Phil Paints Protean Portrait Of Mexico City Music
Richard S. Ginell
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October 22, 2017
Around the U.S.
Edgy New Concerto Challenges ‘Safety’ Of Hollywood Bowl
Richard S. Ginell
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August 24, 2017
Around the U.S.
In Wang’s Bartók, An Entrée In Need Of More Seasoning
Richard S. Ginell
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June 1, 2017
Around the U.S.
In Reykjavík Fest, LA Phil Samples Stylistic Mash-Up
Richard S. Ginell
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April 11, 2017
Around the U.S.
Heartfelt Dialogue: Chance Meeting Led To ‘Unchained’
Jim Farber
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March 1, 2017
Around the U.S.
Adès Presides Over ‘Dances Of Death’ Program In LA
Richard S. Ginell
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February 14, 2017
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