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Classical Voice North America
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Around the U.S.
Chamber Fest Explores Dynamic Interactions Of Music, History’s Course
From Music’s Castoffs, Festival Puts Together Concert Of Discovery
Wine-And-Music Fest Raises Glass In Honor Of America’s Birthday
With Ghostly Clarity, Elusive Britten Opera Wafts Into Substance
On ‘Alpine’ Peak, Fiery New Bird Spreads His Wings With Chicago…
Canada
Monteverdi’s ‘Orfeo,’ Semi-staged And Lean, With A Modernist Touch
Montreal Orchestra Displays Rapport With Diversity Of Americana
No Sets, No Costumes, But Music, Imagination Fire Concert ‘Turandot’
On An Ambitious Spring Trek, Singer And Pianist Cycle Through Schubert
Oh, You Kid! As Young Musicians Rise, Slatkin Shows Veteran Finesse
World
Is This A Weed I See? Amid Wagner’s Blooms, ‘Rienzi’ Raises…
Very Today ‘Walküre,’ Penderecki Celebration Highlight Baltic Festival
Paris’ Musical Culture Showcases Its Splendor In A Time Of Transition
London Zeal For Music Tells As Crowds Cheer ‘Peter Grimes,’ Wagner
Rossini’s ‘Cenerentola,’ Centuries-Late Premiere Reward Paris Excursion
Digital
Unearthing, Restoration Of Old Recordings Puts Music’s Arc In New Light
LOUD Percussion Piece Migrates To Recording; Lose Those Earplugs
In A Recording Profile, Music Of Many Faces Has Snapshot Moment
Beckett’s ‘Endgame’ Gets An Operatic Spin As Wry As The Original
Sinking Petals, Ozone, Nature’s Quiet Sorrow: Songs Of The Earth
Perspectives
As He Signs Off In LA, Gustavo Dudamel Can Claim Imposing…
Composer Ruminates On Work Sprung From Novel On ‘Classical Gas’
Silver Screen Concert Reflects Starring Roles For Women Composers
The Battle Of Boston: Critic’s Words Resound In ‘Defending The Music’
100 Years Ago, Electric Recording Injected New Spark In Music’s Legacy
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Around the U.S.
After 20 Magic Years, James Conlon To Exit LA Opera With ‘Flute’
Richard S. Ginell
-
May 30, 2026
Around the U.S.
A ‘Cosi’ Full Of Laughs (The Girls Are Clued In) But Still Edged With Pain
Rick Schultz
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March 13, 2025
Around the U.S.
‘Pelléas et Mélisande’ As Resonant Verismo: Dark, Bleak, Beautiful
Richard S. Ginell
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March 30, 2023
Around the U.S.
Capturing The Intimacy Of ‘Figaro’ In The Vast Space Of A Modern Hall
Rick Schultz
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February 8, 2023
Around the U.S.
A ‘Lucia’ For Everyone: Rust Belt Regietheater As Gesamtkunstwerk
Richard S. Ginell
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September 23, 2022
Around the U.S.
‘St. Matthew Passion,’ Sung (And Danced) In Its Original Epic Length
Rick Schultz
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March 15, 2022
Around the U.S.
Hail, Bright Abode! Life (And Art) Reaffirmed At The Resurgent LA Opera
Richard S. Ginell
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October 19, 2021
Around the U.S.
Up On The Roof: A Glass Opera In Parking Garage (At Pandemic Twilight)
Richard S. Ginell
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May 31, 2021
Around the U.S.
Kosky’s Stark ‘Bohème,’ A Wild Second Act Aside
Richard S. Ginell
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September 18, 2019
Around the U.S.
Why ‘Tito’? Mozart Masterpiece Makes Rousing Comeback
Ilana Walder-Biesanz
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April 10, 2019
Around the U.S.
Aucoin, In The Pit, Leads ‘Rigoletto’ On Electrifying Ride
Richard S. Ginell
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May 16, 2018
Around the U.S.
Pair Of California ‘Candide’s Prove No Two Are Alike
Richard S. Ginell
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January 31, 2018
Around the U.S.
Glass’ ‘Akhnaten’ Reaches LA Opera In Full Splendor
Richard S. Ginell
-
November 9, 2016
Around the U.S.
Opera Monodrama By Mazzoli Shows Promise In Concert
William Albright
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March 24, 2015
Around the U.S.
Maestro Mälkki Set To Lead Fantasy Opera ‘Alice’ In LA
Richard S. Ginell
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February 24, 2015
Around the U.S.
LA Opera Conjures Corigliano’s ‘Ghosts’ And La Révolution
Richard S. Ginell
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February 13, 2015
Around the U.S.
Picker’s ‘Fox’ Tale Merrily Romps At Opera San Antonio
Diane Windeler
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September 27, 2014
Around the U.S.
Domingo, Fleming Bring Starry End To LA Opera Year
Richard S. Ginell
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May 21, 2014
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Classical Voice North America