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Classical Voice North America
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Around the U.S.
Mysterious Dutchman Meets Dramatic Match In 11th-Hour Senta Sub
Pan-Am Music Fosters Breaking Down Walls: ‘Sponsored By Mexico’
Stravinsky’s Wild ‘Rite,’ Long Absent, Returns With Some Spring In It
Vocalist, String Quartet Give Schubert A Shuffle And Turn Up All…
‘Omar,’ Operatic Portrait Of An Enslaved Scholar, Proves Staying Power
Canada
‘Walküre,’ shrunk to fit compact opera house, still an exhilarating ride
Presto! (Or Andante): Between Competitions, A Festival Works Magic
How Suite It Is, Or Six Flourishes For Trumpet From Master…
Mega Flourish Of Horns Lifts ‘Alpine Symphony’ At Canadian Music Fest
Joplin’s ‘Treemonisha’ Revived In Canada With A Freshening Makeover
World
‘Antony And Cleopatra’ Second Time Around: Love’s More Wonderful
Ridiculous Virtuosity: Modern-Music Troupe Crackles And Dazzles
(Re)imagine That! Beloved Musicals Given New Gloss For New Age
Adams’ ‘Short Ride,’ Like Rest Of Sizzling Concert Fare, Gets Short…
Festival Operas Pegged To Yesteryear; Concerts Come Up To Yesterday
Digital
You’re Doin’ Completely Fine, Oklahoma! (On CD That’s Not So Complete)
Pianist Spans Centuries On CD Featuring Music By Female Composers
Slow Food For Thought: Late Beethoven Quartet Mulled At A Snail’s…
Bologne Comic Opera, An 18th-Century Gem, Flourishes In CD Debut
The Play Was The Thing For Henry Purcell, Other Restoration Composers
Perspectives
As The Emerson Exits, Several Fine Quartets Are Poised To Ascend
Heggie’s Opera Bounty And Diversity Mirrored In Swell Of Productions
Tapping Into Music As Unconscious Chronicle Of Post-Holocaust Era
Thomas Schippers Bio Explores Art, Glamour Of A Meteoric Maestro
Portrait Of A Composer Still Living Tradition Of Elgar, Vaughan Williams
Our Critics’ Picks
Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
A Conductor’s Practical Book On Making A Life Of Waving One’s…
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Los Angeles Opera
Tag: Los Angeles Opera
‘Pelléas et Mélisande’ As Resonant Verismo: Dark, Bleak, Beautiful
Richard S. Ginell
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March 30, 2023
Capturing The Intimacy Of ‘Figaro’ In The Vast Space Of A...
Rick Schultz
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February 8, 2023
A ‘Lucia’ For Everyone: Rust Belt Regietheater As Gesamtkunstwerk
Richard S. Ginell
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September 23, 2022
‘St. Matthew Passion,’ Sung (And Danced) In Its Original Epic Length
Rick Schultz
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March 15, 2022
Hail, Bright Abode! Life (And Art) Reaffirmed At The Resurgent LA...
Richard S. Ginell
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October 19, 2021
Up On The Roof: A Glass Opera In Parking Garage (At...
Richard S. Ginell
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May 31, 2021
Kosky’s Stark ‘Bohème,’ A Wild Second Act Aside
Richard S. Ginell
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September 18, 2019
Why ‘Tito’? Mozart Masterpiece Makes Rousing Comeback
Ilana Walder-Biesanz
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April 10, 2019
Aucoin, In The Pit, Leads ‘Rigoletto’ On Electrifying Ride
Richard S. Ginell
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May 16, 2018
Pair Of California ‘Candide’s Prove No Two Are Alike
Richard S. Ginell
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January 31, 2018
Glass’ ‘Akhnaten’ Reaches LA Opera In Full Splendor
Richard S. Ginell
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November 9, 2016
Opera Monodrama By Mazzoli Shows Promise In Concert
William Albright
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March 24, 2015
Maestro Mälkki Set To Lead Fantasy Opera ‘Alice’ In LA
Richard S. Ginell
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February 24, 2015
LA Opera Conjures Corigliano’s ‘Ghosts’ And La Révolution
Richard S. Ginell
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February 13, 2015
Picker’s ‘Fox’ Tale Merrily Romps At Opera San Antonio
Diane Windeler
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September 27, 2014
Domingo, Fleming Bring Starry End To LA Opera Year
Richard S. Ginell
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May 21, 2014
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