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Classical Voice North America
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Around the U.S.
Fauré Requiem Meets Musical Incarnations Of The Seven Deadly Sins
A Flourish Of Operas Embraced In Intimacy, Committed To Tradition
Oratorio Of The Oceans Blows Spray Of Imagery Evoking Climate Change
Irish Baroque Orchestra, Countertenor Bring Heat To Early Classical Fare
Brave Company Tames Beastly Film/Stage Tale Of Cocteau/Glass ‘Belle’
Canada
On An Ambitious Spring Trek, Singer And Pianist Cycle Through Schubert
Oh, You Kid! As Young Musicians Rise, Slatkin Shows Veteran Finesse
Braving Cold Rewarded In Bracing Concerts Of Tchaikovsky, Film Fare
Out, Out, Viol Spots: Bach’s Luster Dulled In Antique Transcriptions
Shadowed Masterpiece Revealed In Full Light With A Stirring ‘Jenůfa’
World
Send-Up Of Opera Seria By An 18th-Century Wit Who Knew It…
Early Verdi Tragedy Set In Food Delivery Culture. (Fries With That?)
Musical Culture Reigns In Dutch Competitions For Piano And Violin
Frankfurt Opera Trek: Baroque To ‘Carmen’ To A Holocaust Flashback
When Hahn Bows Out, Kyrgyzstan Violinist Polishes Up Prokofiev
Digital
5 Winds Caress Legacy Of Nadia Boulanger And Her Musical Progeny
Trove Of Recordings Draws Back Curtain On Legacy Of Radu Lupu
Never Mind Smetana’s Comedic ‘Bride’; Catch Laughs Of ‘Two Widows’
Lim’s ‘Goldbergs’ On CD: Letting Romanticism In To Sing Bach’s Rhetoric
Joy Amid A Mélange: Music Of Hilda Paredes Sparks A Refreshing CD
Perspectives
New On Classical Gas: Seeing Clara Schumann Through A Modern Lens
Carlisle Floyd At 100: Music World Celebrates American Opera Legend
Performance Can Take Music Down Pathways Blazed By Circumstance
Joan Tower, 87, Joins Gail Wein’s Podcast For Remarkable Look Back
2,700 Insights: CVNA’s Expert Reviews Deliver World Of Music To You
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Los Angeles Opera
Around the U.S.
A ‘Cosi’ Full Of Laughs (The Girls Are Clued In) But Still Edged With Pain
Rick Schultz
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March 13, 2025
Around the U.S.
‘Pelléas et Mélisande’ As Resonant Verismo: Dark, Bleak, Beautiful
Richard S. Ginell
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March 30, 2023
Around the U.S.
Capturing The Intimacy Of ‘Figaro’ In The Vast Space Of A Modern Hall
Rick Schultz
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February 8, 2023
Around the U.S.
A ‘Lucia’ For Everyone: Rust Belt Regietheater As Gesamtkunstwerk
Richard S. Ginell
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September 23, 2022
Around the U.S.
‘St. Matthew Passion,’ Sung (And Danced) In Its Original Epic Length
Rick Schultz
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March 15, 2022
Around the U.S.
Hail, Bright Abode! Life (And Art) Reaffirmed At The Resurgent LA Opera
Richard S. Ginell
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October 19, 2021
Around the U.S.
Up On The Roof: A Glass Opera In Parking Garage (At Pandemic Twilight)
Richard S. Ginell
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May 31, 2021
Around the U.S.
Kosky’s Stark ‘Bohème,’ A Wild Second Act Aside
Richard S. Ginell
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September 18, 2019
Around the U.S.
Why ‘Tito’? Mozart Masterpiece Makes Rousing Comeback
Ilana Walder-Biesanz
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April 10, 2019
Around the U.S.
Aucoin, In The Pit, Leads ‘Rigoletto’ On Electrifying Ride
Richard S. Ginell
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May 16, 2018
Around the U.S.
Pair Of California ‘Candide’s Prove No Two Are Alike
Richard S. Ginell
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January 31, 2018
Around the U.S.
Glass’ ‘Akhnaten’ Reaches LA Opera In Full Splendor
Richard S. Ginell
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November 9, 2016
Around the U.S.
Opera Monodrama By Mazzoli Shows Promise In Concert
William Albright
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March 24, 2015
Around the U.S.
Maestro Mälkki Set To Lead Fantasy Opera ‘Alice’ In LA
Richard S. Ginell
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February 24, 2015
Around the U.S.
LA Opera Conjures Corigliano’s ‘Ghosts’ And La Révolution
Richard S. Ginell
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February 13, 2015
Around the U.S.
Picker’s ‘Fox’ Tale Merrily Romps At Opera San Antonio
Diane Windeler
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September 27, 2014
Around the U.S.
Domingo, Fleming Bring Starry End To LA Opera Year
Richard S. Ginell
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May 21, 2014
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Classical Voice North America