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Classical Voice North America
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Around the U.S.
Amid Blast And Balm, String Troupe Maps Out A Walk On…
With A Searing ‘Salome,’ Opera Company Shows It’s Back In The Dance
2 Off-The-Wall Operas, One Starring A Cello, One A Singing Dummy
‘The Shining’ As Opera Is Mad, Brutal, Tragic In A Horrifically…
A ‘Cosi’ Full Of Laughs (The Girls Are Clued In) But…
Canada
Amid Candy Hawkers, Spirited New-Music Fest Offers Plenty Of Crunch
Soft Were The Sounds, Their Meaning Tacit, That The Takács Spun
With Just Piano, Mozart In Vast Space, Yundi Li Strikes A…
‘Hamlet’ Opera Revived, But In Sooth, This Play Was Not The…
In Concerto ‘Fandango,’ Violin Spins Old Forms Into Bright New Dances
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As Tradition, Virtuosity Command Center Stage, A Festival Seeks Identity
Double Dose Of ‘Norma’ Offers Rewards But Also Begs Serious Questions
Johann Strauss Bonbon Unwrapped As A Tasty Bicentennial Confection
Paris Voices: A Sojourn From Modernism To Raw Take on ‘Rigoletto’
Schoenberg Anniversary Celebrated In Concerts That Honor Modernists
Digital
Musing On Busoni: Pianist Gets At Roots Of An Undervalued Master
In Timely Revelations, Recordings Celebrate The March Of Women
Another Scarlatti Takes Limelight In Oratorio Of Daniel In The Lion’s…
On New Tracks, Silkroad Traces Multiethnic Cost Of America’s Railways
In An Exotic Travelogue, Wafting Down Silk Road With Oslo Wind…
Perspectives
Historically Apt Practice Spreads Across Epochs, Adding Musical Insights
Soprano On Schoenberg And Moonstruck Pierrot: Wein’s Classical Gas 2.0
Renaissance Man Looks Into Music’s Mirror And Sees Humanity’s Image
Challenging Art Of Ives Launches New Podcast Hosted By Gail Wein
Denk Celebrates Ives, That Thorny American, In Anniversary Recital
Our Critics’ Picks
Aspen Festival To Mark 75 Years As Wellspring Of Musical Nourishment
Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
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Los Angeles Opera
Tag: Los Angeles Opera
A ‘Cosi’ Full Of Laughs (The Girls Are Clued In) But...
Rick Schultz
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March 13, 2025
‘Pelléas et Mélisande’ As Resonant Verismo: Dark, Bleak, Beautiful
Richard S. Ginell
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March 30, 2023
Capturing The Intimacy Of ‘Figaro’ In The Vast Space Of A...
Rick Schultz
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February 8, 2023
A ‘Lucia’ For Everyone: Rust Belt Regietheater As Gesamtkunstwerk
Richard S. Ginell
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September 23, 2022
‘St. Matthew Passion,’ Sung (And Danced) In Its Original Epic Length
Rick Schultz
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March 15, 2022
Hail, Bright Abode! Life (And Art) Reaffirmed At The Resurgent LA...
Richard S. Ginell
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October 19, 2021
Up On The Roof: A Glass Opera In Parking Garage (At...
Richard S. Ginell
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May 31, 2021
Kosky’s Stark ‘Bohème,’ A Wild Second Act Aside
Richard S. Ginell
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September 18, 2019
Why ‘Tito’? Mozart Masterpiece Makes Rousing Comeback
Ilana Walder-Biesanz
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April 10, 2019
Aucoin, In The Pit, Leads ‘Rigoletto’ On Electrifying Ride
Richard S. Ginell
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May 16, 2018
Pair Of California ‘Candide’s Prove No Two Are Alike
Richard S. Ginell
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January 31, 2018
Glass’ ‘Akhnaten’ Reaches LA Opera In Full Splendor
Richard S. Ginell
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November 9, 2016
Opera Monodrama By Mazzoli Shows Promise In Concert
William Albright
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March 24, 2015
Maestro Mälkki Set To Lead Fantasy Opera ‘Alice’ In LA
Richard S. Ginell
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February 24, 2015
LA Opera Conjures Corigliano’s ‘Ghosts’ And La Révolution
Richard S. Ginell
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February 13, 2015
Picker’s ‘Fox’ Tale Merrily Romps At Opera San Antonio
Diane Windeler
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September 27, 2014
Domingo, Fleming Bring Starry End To LA Opera Year
Richard S. Ginell
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May 21, 2014
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