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Classical Voice North America
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Around the U.S.
Día De Los Muertos: Supercharged Concert Rings With Festive Life
Beleaguered Orchestra And New Music Director Hitch Wagon To Mahler
New England Dreaming: Small City’s Dedication Has Orchestra Thriving
Conductor Eun Sun Kim, Emerging Wagner Star, Leads Dazzling ‘Tristan’
Death Of Garcia Lorca, More Gritty Than Grand, Brings Flamenco To…
Canada
In Concerto ‘Fandango,’ Violin Spins Old Forms Into Bright New Dances
Orchestra’s ‘Wake Up!’ Sets Up Season Opener That’s ‘Pictures’-Perfect
As Bruckner Turns 200, Fleshing Out The Ninth With Prelude, Epilogue
Born Of A Competition, String Quartet Festival Carves Its Own Niche
Festival Performance, Listeners On Point For Mahler 7th Symphony
World
Greek Wins Conducting Competition; Japanese Hosts Merit Gold, Too
Mahler On Home Turf: 7th Symphony Heard At Site Of Czech…
Through Different Prism: Rachmaninoff, Wagner As Festival Novelties
Weinberg Opera Rarity And ‘Hamlet’ In Concert Score High At Salzburg
Spontini Opera Revival Preserves Music, Adds Screams, Tosses Story
Digital
Musical Cultures Meld In Renaissance-Based CD Creatively Spiced
Shedding Words, Two Ensembles Articulate Charm Of Early Music
Recording, Reassessing Saariaho Opera Whose Worth Is Still Unknown
Robeson Compendium: Like Trailblazing Artist, CD Set Is Monumental
Three Decades Later, Hamelin Revisits Depths Of The ‘Hammerklavier’
Perspectives
A Singer Sees The Light In Dark World Of Music Suppressed…
After Opening Plaudits, Even Best New Operas Face An Unsure Future
Even Greatest Voices Can Succumb To Nerves Or Imbibing Nasty Stuff
Seeking Higher Crest, Escher String Quartet Rides Wave Of Bartók
Visionary Koussevitzky Will Be Celebrated In Tanglewood Concerts
Our Critics’ Picks
Aspen Festival To Mark 75 Years As Wellspring Of Musical Nourishment
Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
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Los Angeles Opera
Tag: Los Angeles Opera
‘Pelléas et Mélisande’ As Resonant Verismo: Dark, Bleak, Beautiful
Richard S. Ginell
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March 30, 2023
Capturing The Intimacy Of ‘Figaro’ In The Vast Space Of A...
Rick Schultz
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February 8, 2023
A ‘Lucia’ For Everyone: Rust Belt Regietheater As Gesamtkunstwerk
Richard S. Ginell
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September 23, 2022
‘St. Matthew Passion,’ Sung (And Danced) In Its Original Epic Length
Rick Schultz
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March 15, 2022
Hail, Bright Abode! Life (And Art) Reaffirmed At The Resurgent LA...
Richard S. Ginell
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October 19, 2021
Up On The Roof: A Glass Opera In Parking Garage (At...
Richard S. Ginell
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May 31, 2021
Kosky’s Stark ‘Bohème,’ A Wild Second Act Aside
Richard S. Ginell
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September 18, 2019
Why ‘Tito’? Mozart Masterpiece Makes Rousing Comeback
Ilana Walder-Biesanz
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April 10, 2019
Aucoin, In The Pit, Leads ‘Rigoletto’ On Electrifying Ride
Richard S. Ginell
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May 16, 2018
Pair Of California ‘Candide’s Prove No Two Are Alike
Richard S. Ginell
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January 31, 2018
Glass’ ‘Akhnaten’ Reaches LA Opera In Full Splendor
Richard S. Ginell
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November 9, 2016
Opera Monodrama By Mazzoli Shows Promise In Concert
William Albright
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March 24, 2015
Maestro Mälkki Set To Lead Fantasy Opera ‘Alice’ In LA
Richard S. Ginell
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February 24, 2015
LA Opera Conjures Corigliano’s ‘Ghosts’ And La Révolution
Richard S. Ginell
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February 13, 2015
Picker’s ‘Fox’ Tale Merrily Romps At Opera San Antonio
Diane Windeler
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September 27, 2014
Domingo, Fleming Bring Starry End To LA Opera Year
Richard S. Ginell
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May 21, 2014
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