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Classical Voice North America
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Racial Injustice Echoes In Music Before Solace Of Mozart’s Requiem
Amid An Opera’s Dark Waters, Musicians And A Critic Swim For…
Quasi-Robotics Concert, Where AI Perhaps Stood For Almost Involved
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Canadian Orchestras Create Spate Of CDs With Uneven Results
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2 Canadian Orchestras Combine In Symphony Honoring WWII French
Sets, Cast, And Chorus Were Great. Music And Libretto, Not So…
Women At Center Stage In Flurry Of Concerts By Ensembles Large,…
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Focus On Bright Stars, Ambitious Arts Festival Creates A Constellation
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Trip To Greek Homeland Mingles Nostalgia With A Fierce ‘Lady Macbeth’
Aussies Around Globe Gather As All-Stars For An Ardent Mahler Ninth
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Even Lacking Visuals, Handel’s Vivid Music Illustrates ‘Alcina’ CD
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Through Diverse Voices Over Millennia, Cantata Invokes Spirit Of Mercy
Schubert Song Cycles, Recycled In Lyric Glory Of Marginalized Mezzo
In An Unlikely Kinship, Shostakovich Echoes Heavy Metal On Disc
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Sampling Art Of Song, Will Liverman Leaves Final Lyric To His…
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Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
A Conductor’s Practical Book On Making A Life Of Waving One’s…
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Kevin Vortmann
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Philly ‘Mass’ On DG Is No Match For Bernstein Account
Richard S. Ginell
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May 11, 2018
Classical Voice North America
