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Classical Voice North America
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Orchestra Enters ‘Ring’ At Center Stage, Etching Images In Wagner Gold
Desolation Illustrated: Frozen, Deathly Vistas Of ‘Sinfonia Antartica’
Adams-Sellars ‘El Niño’ Blows Onto Met Stage With Look Of A…
Nadia Boulanger Opera, Despite Cuts, Displays Teacher’s Own Mastery
Jesus’ Death: A Drama Drawn Lean For Harp, Mark Morris Dancers
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Making Surprise Debut As Murderous Medea, Naturally She Killed It
Scaling Strauss Twice, And Matching Peaks In The ‘Alpine Symphony’
Beach’s Grand Mass Dusted Off, Cut Down, Its Fresh Vision Intact
All Hands On Deck: Orchestra Shares Stage With ‘Rheingold’ Singers
Canadian Orchestras Create Spate Of CDs With Uneven Results
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Trip To Greek Homeland Mingles Nostalgia With A Fierce ‘Lady Macbeth’
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Baritenor’s CD Traces Glittering Paths That Led Opera To Wagner
Even Lacking Visuals, Handel’s Vivid Music Illustrates ‘Alcina’ CD
Freshening Up Josquin With A Scholarly Flair, Down-To-Earth Clarity
Through Diverse Voices Over Millennia, Cantata Invokes Spirit Of Mercy
Schubert Song Cycles, Recycled In Lyric Glory Of Marginalized Mezzo
Perspectives
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International Harmony Via Cultural Exchange: It’s Major In Minor Steps
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Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
A Conductor’s Practical Book On Making A Life Of Waving One’s…
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Early Music Ensemble Takes Instructive Trek Through Mozart’s Time
Matthew Gurewitsch
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February 16, 2024
Classical Voice North America
