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Classical Voice North America
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Around the U.S.
Chamber Series, Rocked By Pandemic, Reaffirms Promise Of New Vitality
Young Artists’ Concert An Embracing View Of ‘Democracy in Music’
Music For Saxophone Evokes Emotional Swirl Summoned By The Wind
Chinese Epic Character Brings Its Charm, Antics, Attitude To Opera Stage
Puerto Rican Orchestra, Legacy Of Casals, Plays A Joyful Boston Debut
Canada
Shadowed Masterpiece Revealed In Full Light With A Stirring ‘Jenůfa’
On All-Sibelius Program, Symphonies Ruled, But Violin Concerto Soared
A Deep Dive Into Chopin After Splashing Surface Of Grieg And…
Conductor On The Fly Pauses To Give Mahler Breath, Scope Of…
Countertenor, A Funky Band, And Arcane Rep. Impression: Meh-Plus
World
Autumn Fest Celebrates Artistic Innovation With Zeal Of A Rite Of…
‘Cosi’ As Reality Show, Rare Donizetti Updated (With A Pregnant Pause)
Strauss Junior At 200: Soul Of A City, Emblem Of Era…
Across Pair Of Concerts And 4,800 Miles, Japan Links Up With…
Wild ‘Mandarin,’ Intense ‘Bluebeard’ Conjoined As Lurid Bartók Twin Bill
Digital
Two Albums Celebrate Iconoclastic Erik Satie With Stylish Adaptations
Surveying Scaled-Down Art Of British Composer Known For His Grandeur
Early-Music Recordings Capture Antiquity And Its Modern Reflections
Songs Without Words: Reimagining Poulenc For Violin And Piano
With A Swell Of Voices, Recording Embellishes Florence Price Legacy
Perspectives
Conjuring Varèse In 100 Flute Commissions, On ‘Classical Gas’ Podcast
As S. Korea’s Birth Rate Drops, Classical Music Needs A Creative…
Nights In Opera Gardens Of Spain: Delights From Zarzuela To ‘Wozzeck’
Coming-Of-Age Memoir Chronicles Life Abloom Amid Musical Legends
Quartet Founder Talks Beethoven, Bob Dylan On New ‘Classical Gas’
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Around the U.S.
Early Music Ensemble Takes Instructive Trek Through Mozart’s Time
Matthew Gurewitsch
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February 16, 2024
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