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Classical Voice North America
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In Concert For Strings, Historical Style Melds With A New Concerto
The Saga Of Anne Frank, Sharply Framed Within Gripping Opera For…
In A ‘Così Fan Tutte’ Refitted For Our Time, Mozart Encounters…
Festival’s Wide Scope Offers Classical Music Writ On Intimate Scale
Weill-Lerner ‘Love Life’ Dusted Off, Buffed Up, Made Fascinating Again
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Soft Were The Sounds, Their Meaning Tacit, That The Takács Spun
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‘Hamlet’ Opera Revived, But In Sooth, This Play Was Not The…
In Concerto ‘Fandango,’ Violin Spins Old Forms Into Bright New Dances
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After A Long Absence, Tchaikovsky’s ‘Iolanta’ Makes Colorful Return
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Double Dose Of ‘Norma’ Offers Rewards But Also Begs Serious Questions
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Son Of Native American ‘Shell-Shaking Culture’ Talks Roots On Podcast
Schiff On His Boycott: ‘If I Were A U.S. Citizen, I…
Historically Apt Practice Spreads Across Epochs, Adding Musical Insights
Soprano On Schoenberg And Moonstruck Pierrot: Wein’s Classical Gas 2.0
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Tennstedt Bio Reveals Great Maestro At Odds With World and…
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Joseph Kaiser
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Conlon’s Youthful Forces Touch Core Of ‘War Requiem’
Richard S. Ginell
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December 4, 2013
Classical Voice North America
