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Classical Voice North America
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Around the U.S.
After Lengthy Retreat, Gabriel Kahane Cracks Open A Fresh Songbook
A Concert Of Beethoven And Sermons, And Both Rise To Their…
An Ineffable Tone Poem Captures How Wildfire Consumed Small Town
Met’s ‘Meistersinger’: An Uneven Return To Time-Worn Tradition
From Challenging Bits Of ‘Mosaic,’ Dinnerstein Fashions Whole Cloth
Canada
Scaled Back, Brahms’ ‘German Requiem’ Still Makes Its Grand Effect
In Gala-Salad Program, Orchestra Dishes Up Return To Concert Life
New Montreal Maestro Shows Flair For Basics (But Maybe Not French)
Far-Flung String Players Converge (Virtually) For A Festival Homecoming
In Virtual Competition, 26 Pianists Vie From Keyboards Flung Afar
World
Quest For Piano Leads Writer To Adventures, Stories Across Siberia
Callas, Resurrected, Dies Again (And Again) In Seven Famous Roles
Toasts And Standing O: Berliners Citywide Hail Live Music’s Renewal
Festival Drama Is Ode To Human Resilience In Face Of Human…
Juilliard Turns Table, Creates Splendid New Music School in China
Digital
Big Box Of Orpheus CDs Chronicles An Ensemble Sans Leader, Sans…
Directorship Extended, Honeck Shows Affinity For Pittsburgh On CD
Elgar’s Violin Concerto Twice: The Long And Far From Short Of…
Canadian Guitarist’s Art On Generous Display In Disc Of Her Own…
At Desert Crossroads, Stage And Film Collide In An Opera Miniseries
Perspectives
Bernard Haitink: Master Of Mahler And Bruckner Left Indelible Memories
Under Diversity Banner, Sphinx Virtuosi Concert To Celebrate Progress
Opera Is Back – Hooray! As For The Rude Voice That…
Bernstein’s Mass, Once Written Off, Now Enjoys Embrace Of A New…
From Music’s Dim Past, Rediscovered Songbook Casts Telling New Light
Our Critics’ Picks
Berliners Conjure Gold From Musical Pantheon Of Weimar Twenties
Pärt’s New Voice Emerges On Disc Of Recent Works
‘Dido’ In COVID: Intimacy On Film, At A Safe Distance
Obscure Telemann Opera ‘Miriways’ Sparkles On Disc
Blaze Of Fanfares, With A Solo Twist, Recaptures Legacy
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Gustavo Dudamel
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Gustavo Dudamel
Around the U.S.
Mix Ives, Dvořák, Rinse And Repeat: New World Arises
Richard S. Ginell
-
February 26, 2020
Around the U.S.
Three LA Phil Maestros Mark Orchestra’s 100th
Richard S. Ginell
-
October 29, 2019
Around the U.S.
LA Phil Shebang Goes Wall To Wall, Noon To Midnight
Richard S. Ginell
-
June 4, 2019
Around the U.S.
Yuja Wang Unveils Diabolical Adams Piano Concerto
Rick Schultz
-
March 12, 2019
Around the U.S.
Tan Dun ‘Passion’ Bridges Boundaries Of Style And Faith
Richard S. Ginell
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February 11, 2019
Around the U.S.
Gustavo Dudamel Debuts At Met With Lively ‘Otello’
David Shengold
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December 17, 2018
Around the U.S.
LA Phil Unveils Vibrant Andrew Norman Creation
Richard S. Ginell
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October 9, 2018
Around the U.S.
Street Scenes: LA Phil Embraces City In ‘Celebrate LA’
Richard S. Ginell
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October 5, 2018
Around the U.S.
A Ravishing Rarity By Schumann Ends The LA Phil Season
Richard S. Ginell
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June 7, 2018
Around the U.S.
Dudamel Begins Schumann Cycle On Promising Note
Richard S. Ginell
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May 21, 2018
Around the U.S.
Presto Change-O: Delay In New Work Draws Creative Fix
Richard S. Ginell
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April 20, 2018
Around the U.S.
Conductor Salonen Advances His Twin Side As Composer
Rick Schultz
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April 19, 2018
Around the U.S.
Mahler As Video: High-Tech Gilding Of ‘Das Lied’s’ Lily
Richard S. Ginell
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April 9, 2018
Around the U.S.
Bernstein’s ‘Mass’: Passion Affirmed, If Not Relevance
Rick Schultz
-
February 10, 2018
Disc and Stream
Berliners Embrace Full-Range Adams In Maximalist Box
Richard S. Ginell
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January 24, 2018
Around the U.S.
LA Phil Paints Protean Portrait Of Mexico City Music
Richard S. Ginell
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October 22, 2017
Around the U.S.
Edgy New Concerto Challenges ‘Safety’ Of Hollywood Bowl
Richard S. Ginell
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August 24, 2017
Around the U.S.
In Wang’s Bartók, An Entrée In Need Of More Seasoning
Richard S. Ginell
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June 1, 2017
Around the U.S.
Premieres Abound As Festival Salutes American Creators
Richard S. Ginell
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May 28, 2015
Around the U.S.
Dudamel, LA Phil Take Plunge Into New Italian Music
Richard S. Ginell
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March 17, 2015
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