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Classical Voice North America
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Around the U.S.
New And Diverse Works Tell World Of Stories At Chamber Music…
An Early-Music Veteran Keeps Edge On The Old At Vibrant Baroque…
Bountiful Chamber Fest Buffs Stellar Tradition With Grand New Piano
Ojai Festival Observes Milestones, Transition As It Marks 80th Year
Chamber Music Festival Pairs Creative Agenda With Surprising Venues
Canada
Montreal Orchestra Displays Rapport With Diversity Of Americana
No Sets, No Costumes, But Music, Imagination Fire Concert ‘Turandot’
On An Ambitious Spring Trek, Singer And Pianist Cycle Through Schubert
Oh, You Kid! As Young Musicians Rise, Slatkin Shows Veteran Finesse
Braving Cold Rewarded In Bracing Concerts Of Tchaikovsky, Film Fare
World
Paris’ Musical Culture Showcases Its Splendor In A Time Of Transition
London Zeal For Music Tells As Crowds Cheer ‘Peter Grimes,’ Wagner
Rossini’s ‘Cenerentola,’ Centuries-Late Premiere Reward Paris Excursion
‘Ancient Mariner’ Redux: Violist As Narrator, And Thirsting For Real Depth
‘Parsifal’ Semi-Staged, Sort Of Costumed, But Musically The Holy Grail
Digital
Beckett’s ‘Endgame’ Gets An Operatic Spin As Wry As The Original
Sinking Petals, Ozone, Nature’s Quiet Sorrow: Songs Of The Earth
Cleveland Orchestra’s Portrait Of A Composer Profiles Community Ties
In Paean To Mythic Idyll, A Recording Embraces Spirit Of The…
Taking On Prokofiev With Pianistic Means, But Wit Waxes, Wanes
Perspectives
100 Years Ago, Electric Recording Injected New Spark In Music’s Legacy
Composers Coach Talks Art Of Nurturing Youth On New ‘Classical Gas’
Sarah Kirkland Snider’s ‘Hildegard’ Wins Critics’ Nod As Best New Opera
Chicago-Based Critic Hannah Edgar Named Winner Of Littler Prize
Sea To Shining Sea: New Music To Brighten America’s Celebrations
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Franz Schmidt
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Franz Schmidt
International
An Epic End Of Days, Created For A Big Tent, In A Resonant Revival
Matthew Gurewitsch
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November 18, 2022
Around the U.S.
San Antonio Rocks With Copeland’s Trap Set Concerto
Mike Greenberg
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November 9, 2016
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