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Classical Voice North America
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Around the U.S.
Elegy For ‘Disappeared’ Transfigures The Horror In Lyrical Remembrance
With A French Flourish, Les Arts Florissants Bundles Baroque Noëls
Ravel’s Impressionism Meets Neoclassical Side In A Celebratory Concert
Sugarplum Silly: Musicians Muse On Diet Of Yuletide ‘Nutcrackers’
Chamber Series, Rocked By Pandemic, Reaffirms Promise Of New Vitality
Canada
Out, Out, Viol Spots: Bach’s Luster Dulled In Antique Transcriptions
Shadowed Masterpiece Revealed In Full Light With A Stirring ‘Jenůfa’
On All-Sibelius Program, Symphonies Ruled, But Violin Concerto Soared
A Deep Dive Into Chopin After Splashing Surface Of Grieg And…
Conductor On The Fly Pauses To Give Mahler Breath, Scope Of…
World
Chamber Music Offers Welcome Respite From Hong Kong Hurly-Burly
Autumn Fest Celebrates Artistic Innovation With Zeal Of A Rite Of…
‘Cosi’ As Reality Show, Rare Donizetti Updated (With A Pregnant Pause)
Strauss Junior At 200: Soul Of A City, Emblem Of Era…
Across Pair Of Concerts And 4,800 Miles, Japan Links Up With…
Digital
Choral Recording Series Spotlights 13 Women Composers Of Canada
Two Albums Celebrate Iconoclastic Erik Satie With Stylish Adaptations
Surveying Scaled-Down Art Of British Composer Known For His Grandeur
Early-Music Recordings Capture Antiquity And Its Modern Reflections
Songs Without Words: Reimagining Poulenc For Violin And Piano
Perspectives
As Season Winds Down, Spirit Of The New Buoys South American…
Conjuring Varèse In 100 Flute Commissions, On ‘Classical Gas’ Podcast
As S. Korea’s Birth Rate Drops, Classical Music Needs A Creative…
Nights In Opera Gardens Of Spain: Delights From Zarzuela To ‘Wozzeck’
Coming-Of-Age Memoir Chronicles Life Abloom Amid Musical Legends
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Around the U.S.
Oratorio ‘Émigré’ Recalls Jews Fleeing Germany Into Chinese Embrace
Gail Wein
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February 26, 2024
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