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Classical Voice North America
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Around the U.S.
Vocalist, String Quartet Give Schubert A Shuffle And Turn Up All…
‘Omar,’ Operatic Portrait Of An Enslaved Scholar, Proves Staying Power
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‘Walküre,’ shrunk to fit compact opera house, still an exhilarating ride
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Joplin’s ‘Treemonisha’ Revived In Canada With A Freshening Makeover
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‘Antony And Cleopatra’ Second Time Around: Love’s More Wonderful
Ridiculous Virtuosity: Modern-Music Troupe Crackles And Dazzles
(Re)imagine That! Beloved Musicals Given New Gloss For New Age
Adams’ ‘Short Ride,’ Like Rest Of Sizzling Concert Fare, Gets Short…
Festival Operas Pegged To Yesteryear; Concerts Come Up To Yesterday
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You’re Doin’ Completely Fine, Oklahoma! (On CD That’s Not So Complete)
Pianist Spans Centuries On CD Featuring Music By Female Composers
Slow Food For Thought: Late Beethoven Quartet Mulled At A Snail’s…
Bologne Comic Opera, An 18th-Century Gem, Flourishes In CD Debut
The Play Was The Thing For Henry Purcell, Other Restoration Composers
Perspectives
As The Emerson Exits, Several Fine Quartets Are Poised To Ascend
Heggie’s Opera Bounty And Diversity Mirrored In Swell Of Productions
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Portrait Of A Composer Still Living Tradition Of Elgar, Vaughan Williams
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Tennstedt Bio Reveals Great Maestro At Odds With World and…
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American Opera, Voices Flavor Creative Mix On Stages Across Europe
A Conductor’s Practical Book On Making A Life Of Waving One’s…
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Live And On CDs, Flock of ‘Messiahs’ To Feed The Fans
David Shengold
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December 22, 2016
Classical Voice North America
