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Classical Voice North America
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Around the U.S.
Día De Los Muertos: Supercharged Concert Rings With Festive Life
Beleaguered Orchestra And New Music Director Hitch Wagon To Mahler
New England Dreaming: Small City’s Dedication Has Orchestra Thriving
Conductor Eun Sun Kim, Emerging Wagner Star, Leads Dazzling ‘Tristan’
Death Of Garcia Lorca, More Gritty Than Grand, Brings Flamenco To…
Canada
In Concerto ‘Fandango,’ Violin Spins Old Forms Into Bright New Dances
Orchestra’s ‘Wake Up!’ Sets Up Season Opener That’s ‘Pictures’-Perfect
As Bruckner Turns 200, Fleshing Out The Ninth With Prelude, Epilogue
Born Of A Competition, String Quartet Festival Carves Its Own Niche
Festival Performance, Listeners On Point For Mahler 7th Symphony
World
Greek Wins Conducting Competition; Japanese Hosts Merit Gold, Too
Mahler On Home Turf: 7th Symphony Heard At Site Of Czech…
Through Different Prism: Rachmaninoff, Wagner As Festival Novelties
Weinberg Opera Rarity And ‘Hamlet’ In Concert Score High At Salzburg
Spontini Opera Revival Preserves Music, Adds Screams, Tosses Story
Digital
Musical Cultures Meld In Renaissance-Based CD Creatively Spiced
Shedding Words, Two Ensembles Articulate Charm Of Early Music
Recording, Reassessing Saariaho Opera Whose Worth Is Still Unknown
Robeson Compendium: Like Trailblazing Artist, CD Set Is Monumental
Three Decades Later, Hamelin Revisits Depths Of The ‘Hammerklavier’
Perspectives
A Singer Sees The Light In Dark World Of Music Suppressed…
After Opening Plaudits, Even Best New Operas Face An Unsure Future
Even Greatest Voices Can Succumb To Nerves Or Imbibing Nasty Stuff
Seeking Higher Crest, Escher String Quartet Rides Wave Of Bartók
Visionary Koussevitzky Will Be Celebrated In Tanglewood Concerts
Our Critics’ Picks
Aspen Festival To Mark 75 Years As Wellspring Of Musical Nourishment
Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
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Canadian Opera Company
Tag: Canadian Opera Company
Making Surprise Debut As Murderous Medea, Naturally She Killed It
Arthur Kaptainis
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May 7, 2024
In Handy Church Ruin, Verdi’s ‘Macbeth’ Finds Its All-Purpose Setting
Arthur Kaptainis
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May 4, 2023
‘Turandot’ Frocked In Minimal Look: Near Nothingness
Arthur Kaptainis
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October 3, 2019
In Wainwright’s ‘Hadrian’, Musical Merit, Iffy Libretto
Arthur Kaptainis
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October 20, 2018
Didactic, Sanitized Staging Abducts Mozart’s ‘Seraglio’
Arthur Kaptainis
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February 11, 2018
Native Resistance Recalled In Opera Of Canadian West
Colin Eatock
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April 24, 2017
Lackluster Staging Undercuts Strong Singing in ‘Norma’
Arthur Kaptainis
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October 10, 2016
Canada Tempest: Debating Critic’s Role In Our Time
Allan Kozinn
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June 9, 2016
Opera’s Premiere Links Modernism With Monteverdi
Colin Eatock
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October 23, 2015
Paired Dark Tales: Vintage Lepage At Canadian Opera
Colin Eatock
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May 8, 2015
Toronto ‘Devereux’ Strong But Short On Stylishness
Colin Eatock
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May 1, 2014
Canadian Opera’s ‘Così’ Doesn’t Equal Sum Of The Hearts
Colin Eatock
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January 29, 2014
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