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Classical Voice North America
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2 Off-The-Wall Operas, One Starring A Cello, One A Singing Dummy
‘The Shining’ As Opera Is Mad, Brutal, Tragic In A Horrifically…
A ‘Cosi’ Full Of Laughs (The Girls Are Clued In) But…
Starry ‘Indigo Heaven’ Concerto Is Principal Clarinet’s Sparkle Time
Music Fest Summons Its Summer Warmth In The Intimacy Of Winter
Canada
Amid Candy Hawkers, Spirited New-Music Fest Offers Plenty Of Crunch
Soft Were The Sounds, Their Meaning Tacit, That The Takács Spun
With Just Piano, Mozart In Vast Space, Yundi Li Strikes A…
‘Hamlet’ Opera Revived, But In Sooth, This Play Was Not The…
In Concerto ‘Fandango,’ Violin Spins Old Forms Into Bright New Dances
World
As Tradition, Virtuosity Command Center Stage, A Festival Seeks Identity
Double Dose Of ‘Norma’ Offers Rewards But Also Begs Serious Questions
Johann Strauss Bonbon Unwrapped As A Tasty Bicentennial Confection
Paris Voices: A Sojourn From Modernism To Raw Take on ‘Rigoletto’
Schoenberg Anniversary Celebrated In Concerts That Honor Modernists
Digital
Musing On Busoni: Pianist Gets At Roots Of An Undervalued Master
In Timely Revelations, Recordings Celebrate The March Of Women
Another Scarlatti Takes Limelight In Oratorio Of Daniel In The Lion’s…
On New Tracks, Silkroad Traces Multiethnic Cost Of America’s Railways
In An Exotic Travelogue, Wafting Down Silk Road With Oslo Wind…
Perspectives
Historically Apt Practice Spreads Across Epochs, Adding Musical Insights
Soprano On Schoenberg And Moonstruck Pierrot: Wein’s Classical Gas 2.0
Renaissance Man Looks Into Music’s Mirror And Sees Humanity’s Image
Challenging Art Of Ives Launches New Podcast Hosted By Gail Wein
Denk Celebrates Ives, That Thorny American, In Anniversary Recital
Our Critics’ Picks
Aspen Festival To Mark 75 Years As Wellspring Of Musical Nourishment
Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
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MCANA Hosted Columns
Page 7
MCANA Hosted Columns
Members of the Music Critics Association of North America maintain their individual columns here
Impressive Moby and Intriguing Butterfly in Dallas
Roy C. Dicks
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May 25, 2010
By Roy C. Dicks:
What's the Score?
The world premiere of Moby Dick by Jake Heggie at the Dallas Opera showed great maturity and confidence from the composer.
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Classical Voice North America
