DIGITAL REVIEW – A 1986 Chicago recital broadcast tape of pianist Vladimir Horowitz, lingering in the WFMT vaults until 2013, has been released by Deutsche Grammophon as a testament to the virtuoso’s extraordinary Indian summer.
Joyce DiDonato's Carnegie Hall master classes are being captured by Medici.tv, and other live webcasts include a world premiere cello concerto in Detroit, Wagner's Ring cycle in Vienna, and Dudamel's Venezuelan kids on tour.
DIGITAL – John Corigliano's 1991 Ghosts of Versailles via the Los Angeles Opera and R. Nathaniel Dett's 1937 oratorio The Ordering of Moses via the Cincinnati May Festival are among the treats forthcoming on discs in this new year.
DIGITAL REVIEW – What do audio recordings tell us about Kirill Petrenko, the relatively unknown conductor chosen to succeed Simon Rattle at the Berlin Philharmonic? Enormous talent and breadth of musical interest.
ANALOG REVIEW – The LP renaissance has given Decca another excuse to recirculate its Mercury Living Presence holdings from the 1950s and 1960s, and this time they’ve gone virtually all the way in the direction of authenticity.
DIGITAL REVIEW – Having sent the compact disc into a tailspin in the previous decade, Apple is now trying to do the same to downloads. The company that gave you the iPod, iTunes and the iPhone has introduced Apple Music.
DIGITAL REVIEW - Mahan Esfahani is a terrific musician with a beautiful touch and technique to burn. He is also an audaciously contemporary programmer, turning the usual marketing of harpsichord players on its Baroque head.
LOS ANGELES — The day after Dallas Opera’s world premiere of his Great Scott, Jake Heggie attended LA Opera’s first staging of his Moby-Dick. The work's grandeur, reduced by tight shots on the DVD, was fully apparent when seen live.
SAN DIEGO - The composer's attempt to blend music with the ambient racket of a large terminal got its first live U.S. performance as the Bang On A Can All-Stars performed the work for passersby at the San Diego International Airport.
DIGITAL REVIEW – A spare, beautifully understated one-act opera by composer Paul Hindemith and playwright Thornton Wilder receives an excellent performance by conductor Leon Botstein and the American Symphony.
DIGITAL REVIEW – Simon Rattle leads the Berlin Philharmonic in Lutoslawski's complex Symphony No. 2 and Krystian Zimerman's account of the Piano Concerto argues for its place among works in the standard repertoire.
DIGITAL REVIEW – A $50 donation to the Detroit Symphony Orchestra allows music lovers to stream more than 100 videos from past concerts in repertoire ranging from Tchaikovsky symphonies to a wealth of Americana.
DIGITAL REVIEW – An impressive debut CD by the Boston Symphony under Andris Nelsons for Deutsche Grammophon launches a planned series of Shostakovich symphonies from his anxious years in Stalin's shadow.
LOS ANGELES - The LA-based composer's Prisms, Cycles, Leaps received its world concert premiere by the Los Angeles Chamber Orchestra at the same time the Bridge To Everywhere ensemble's CD came out on the Orenda label.
DIGITAL REVIEW - Having listened to these eight DG discs repeatedly and in shuffle-play order, I detect no difference between Pollini in his fourth decade and Pollini in his eighth. And I say more power to him.
DIGITAL REVIEW - Pieces from opposite ends of John Adams’ career take cues from Beethoven and send his music in different directions. The composer splits San Francisco Symphony conducting duties with Michael Tilson Thomas.
DIGITAL REVIEW – With his 70th birthday approaching in May and the idea of "legacy" in mind, The Who's Pete Townshend decided to have Quadrophenia, his second full-length rock opera, adapted as a classical work with orchestra.
DIGITAL REVIEW – Without a clear understanding of how these four pieces relate to each other, the listener is apt to find this CD difficult to appreciate, except on a purely emotional level. Perhaps that is what
Gidon Kremer intended.
DIGITAL REVIEW – It has been 51 years since the completion of the first-ever recording of Wagner's Ring, produced for Decca by John Culshaw and led by Georg Solti, an achievement that offers a “theater of the mind.”
DIGITAL REVIEW – Marking the centennial of American composer Irving Fine’s birth, the Boston Modern Orchestra Project CD of all his orchestral works includes one of America’s best symphonies and a Brandeis U fight song.