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In Return To Music Fest, Uchida Brought Mix Of Vision And...

Rick Schultz - June 13, 2024

Multigifted Timo Andres Morphs From Pianist To Composer For Premiere

Rick Schultz - March 27, 2024

A Saga Trimmed To Fit: ‘Das Rheingold’ Glitters In Sly Concert...

Rick Schultz - January 23, 2024

Pan-Am Music Fosters Breaking Down Walls: ‘Sponsored By Mexico’

Rick Schultz - November 15, 2023

A Simpatico Pair Meet Again In Gershwin, But It Don’t Mean...

Rick Schultz - October 19, 2023

Handed Festival Reins, Multifaceted Musician Pushes Its Boundaries

Rick Schultz - June 14, 2023

Capturing The Intimacy Of ‘Figaro’ In The Vast Space Of A...

Rick Schultz - February 8, 2023

In 3 Recitals, Pianists Take Old-School Turn (With Nary An Encore)

Rick Schultz - November 3, 2022

‘St. Matthew Passion,’ Sung (And Danced) In Its Original Epic Length

Rick Schultz - March 15, 2022

Exploring Wagner, Loathsome Genius Of Endless Allure

Rick Schultz - October 30, 2020

Opera As History Upended, Guttural And In Your Face

Rick Schultz - March 4, 2020

Eurydice Revisited: In A Dark Opera, Even Stones Sing

Rick Schultz - February 5, 2020

Bloom Is Missing In Julia Wolfe’s New ‘Flower Power’

Rick Schultz - January 21, 2020

Hannigan Takes A Turn Steering Adventurous Ojai

Rick Schultz - June 13, 2019

Patricia-Kopatchinskaja

Barefoot Violinist, Off-Beat Premiere On Quirky Concert

Rick Schultz - April 12, 2019

Yuja Wang Unveils Diabolical Adams Piano Concerto

Rick Schultz - March 12, 2019

Opera (Un)Caged In Fluxus Fest’s Anarchic Opening

Rick Schultz - November 10, 2018

Ojai Explores Dark And Daring Worlds At 2018 Festival

Rick Schultz - June 13, 2018

Conductor Salonen Advances His Twin Side As Composer

Rick Schultz - April 19, 2018

Bernstein’s ‘Mass’: Passion Affirmed, If Not Relevance

Rick Schultz - February 10, 2018

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