Facebook
Instagram
Twitter
About
Join
Contact
Donate
Around the U.S.
Canada
World
Digital
Perspectives
Our Critics’ Picks
Search
About
Join
Contact
Donate
Music Critics Create Annual Opera Award
Sign in
Welcome! Log into your account
your username
your password
Forgot your password? Get help
Password recovery
Recover your password
your email
A password will be e-mailed to you.
Classical Voice North America
About
Join
Contact
Donate
Around the U.S.
Letters Sung Of Love Found, Lost By Juliets And All Their…
One Singer’s Memorable Turn As Another Whose Memory Is Fading Away
Majesty, Poetry Signal Davidsen’s Arrival As Claimant To La Tosca
Día De Los Muertos: Supercharged Concert Rings With Festive Life
Beleaguered Orchestra And New Music Director Hitch Wagon To Mahler
Canada
In Concerto ‘Fandango,’ Violin Spins Old Forms Into Bright New Dances
Orchestra’s ‘Wake Up!’ Sets Up Season Opener That’s ‘Pictures’-Perfect
As Bruckner Turns 200, Fleshing Out The Ninth With Prelude, Epilogue
Born Of A Competition, String Quartet Festival Carves Its Own Niche
Festival Performance, Listeners On Point For Mahler 7th Symphony
World
Greek Wins Conducting Competition; Japanese Hosts Merit Gold, Too
Mahler On Home Turf: 7th Symphony Heard At Site Of Czech…
Through Different Prism: Rachmaninoff, Wagner As Festival Novelties
Weinberg Opera Rarity And ‘Hamlet’ In Concert Score High At Salzburg
Spontini Opera Revival Preserves Music, Adds Screams, Tosses Story
Digital
Bryce Dessner’s ‘Solos’ Recording Is A Paradox: It’s About Connections
Ambitious Album Casts Light On The Composer Inside Conductor MTT
Musical Cultures Meld In Renaissance-Based CD Creatively Spiced
Shedding Words, Two Ensembles Articulate Charm Of Early Music
Recording, Reassessing Saariaho Opera Whose Worth Is Still Unknown
Perspectives
Grand Dame Von Stade Makes New Recording, And Declares It Her…
A Singer Sees The Light In Dark World Of Music Suppressed…
After Opening Plaudits, Even Best New Operas Face An Unsure Future
Even Greatest Voices Can Succumb To Nerves Or Imbibing Nasty Stuff
Seeking Higher Crest, Escher String Quartet Rides Wave Of Bartók
Our Critics’ Picks
Aspen Festival To Mark 75 Years As Wellspring Of Musical Nourishment
Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
Home
Authors
Posts by Janos Gereben
Janos Gereben
15 POSTS
0 COMMENTS
Voices Of The Enslaved Resound In Multimedia Showcase Of Diversity
Janos Gereben
-
May 19, 2022
Michael Tilson Thomas Returns To SF Podium In Warm Homecoming
Janos Gereben
-
November 15, 2021
Its Budget And Season Reduced, SF Opera Is Ready To Sing...
Janos Gereben
-
July 8, 2021
SF Opera Outdoors: Rossini Gets Big Stage As ‘Barber’ Gets...
Janos Gereben
-
May 4, 2021
Reflecting On Life, MTT At 75 Offers ‘Rilke Meditations’
Janos Gereben
-
January 14, 2020
SF Opera’s ‘Figaro’ Is Early American: Susanna With Fife
Janos Gereben
-
October 16, 2019
‘Billy Budd’ Swells SF Opera Sails In Billowing Triumph
Janos Gereben
-
September 10, 2019
The Devil Is At It Once Again In Heggie’s Latest
Janos Gereben
-
August 8, 2019
Mackey Gives MTT Joyous New Music For 75th Birthday
Janos Gereben
-
February 10, 2019
Radvanovsky Soars As Troubled Queen In Superb ‘Devereux’
Janos Gereben
-
September 12, 2018
Semi-Staged ‘Boris,’ Over The Top, Is Semi-Successful
Janos Gereben
-
June 18, 2018
S.F. Opera ‘Elektra’ Shocks, Provokes, And Overwhelms
Janos Gereben
-
September 12, 2017
Old Is Newly Apt In Rameau’s ‘Temple of Glory’
Janos Gereben
-
May 2, 2017
Zambello’s ‘Aida’ Offers Rare Look Into Opera’s Heart
Janos Gereben
-
November 9, 2016
Epic Chinese Novel Retooled As Opera By Sheng, Hwang
Janos Gereben
-
September 4, 2016
Classical Voice North America
