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Around the U.S.
Opera At Glimmerglass, From Madcap G&S To Verismo, Faithless Gods
Strait But Not Narrow: Washington Music Fest Transcends Mainstream
TIME:SPANS Promises Relief From August Heat At Cool New-Music Fest
Multifaceted Concerts Honor Koussevitzky As Tanglewood’s Founder
At Tanglewood Festival, New Music’s Diversity Spoke In Many Accents
Canada
Festival Performance, Listeners On Point For Mahler 7th Symphony
Flourish Of Beethoven’s Last Piano Sonata Gives Pulse To Summer Music
A Veiled Treasure: Redesigned Church As Intimate Concert Hall
Making Surprise Debut As Murderous Medea, Naturally She Killed It
Scaling Strauss Twice, And Matching Peaks In The ‘Alpine Symphony’
World
Weinberg Opera Rarity And ‘Hamlet’ In Concert Score High At Salzburg
Spontini Opera Revival Preserves Music, Adds Screams, Tosses Story
On Small Stage, British ‘Ring’ Cycle Scores Big On Imagination, Quality
Puccini Opera Marathon, Romanian Style, Honors Centennial Of His Death
‘Thrill Of A Lifetime’: Critic As Chorister Sings Bach At…
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It’s A Suite Of Brilliance As Conductor, Orchestra Co-star On Dazzling…
New Video Of ‘Rusalka’ Is Appealing Evidence Of Its Rising Popularity
Applying Modern Prism, CD Shifts Perspectives On Women Composers
Rare Tchaikovsky Opera Displays Charms Before Killing The Characters
Motets From History’s Shadows Are Diamonds In Rough Performance
Perspectives
Seeking Higher Crest, Escher String Quartet Rides Wave Of Bartók
Visionary Koussevitzky Will Be Celebrated In Tanglewood Concerts
20th-Century American Operas Receding From View On Nation’s Stages
On A Break From Audio, Fabulous Live Sound Of Opera And…
Even In Twilight Years, Andrew Davis Brought Lifelong Zest To Podium
Our Critics’ Picks
Aspen Festival To Mark 75 Years As Wellspring Of Musical Nourishment
Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
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Posts by Susan Brodie
Susan Brodie
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https://classicalvoiceamerica.org/category/member-columns/susan-brodie/
Susan Brodie writes about music, the arts, and life from New York City and Paris. Follow her on Twitter @Susan Brodie and here at Classical Voice North America on her hosted column
Toi Toi Toi!!
Twitter
The Met’s new Das Rheingold
Susan Brodie
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October 17, 2010
Eugene Onegin at Opera Bastille
Susan Brodie
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October 1, 2010
New Season, New Blog
Susan Brodie
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September 13, 2010
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