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With A Searing ‘Salome,’ Opera Company Shows It’s Back In The Dance
2 Off-The-Wall Operas, One Starring A Cello, One A Singing Dummy
‘The Shining’ As Opera Is Mad, Brutal, Tragic In A Horrifically…
A ‘Cosi’ Full Of Laughs (The Girls Are Clued In) But…
Starry ‘Indigo Heaven’ Concerto Is Principal Clarinet’s Sparkle Time
Canada
Amid Candy Hawkers, Spirited New-Music Fest Offers Plenty Of Crunch
Soft Were The Sounds, Their Meaning Tacit, That The Takács Spun
With Just Piano, Mozart In Vast Space, Yundi Li Strikes A…
‘Hamlet’ Opera Revived, But In Sooth, This Play Was Not The…
In Concerto ‘Fandango,’ Violin Spins Old Forms Into Bright New Dances
World
As Tradition, Virtuosity Command Center Stage, A Festival Seeks Identity
Double Dose Of ‘Norma’ Offers Rewards But Also Begs Serious Questions
Johann Strauss Bonbon Unwrapped As A Tasty Bicentennial Confection
Paris Voices: A Sojourn From Modernism To Raw Take on ‘Rigoletto’
Schoenberg Anniversary Celebrated In Concerts That Honor Modernists
Digital
Musing On Busoni: Pianist Gets At Roots Of An Undervalued Master
In Timely Revelations, Recordings Celebrate The March Of Women
Another Scarlatti Takes Limelight In Oratorio Of Daniel In The Lion’s…
On New Tracks, Silkroad Traces Multiethnic Cost Of America’s Railways
In An Exotic Travelogue, Wafting Down Silk Road With Oslo Wind…
Perspectives
Historically Apt Practice Spreads Across Epochs, Adding Musical Insights
Soprano On Schoenberg And Moonstruck Pierrot: Wein’s Classical Gas 2.0
Renaissance Man Looks Into Music’s Mirror And Sees Humanity’s Image
Challenging Art Of Ives Launches New Podcast Hosted By Gail Wein
Denk Celebrates Ives, That Thorny American, In Anniversary Recital
Our Critics’ Picks
Aspen Festival To Mark 75 Years As Wellspring Of Musical Nourishment
Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
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Posts by Susan Brodie
Susan Brodie
129 POSTS
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https://classicalvoiceamerica.org/category/member-columns/susan-brodie/
Susan Brodie writes about music, the arts, and life from New York City and Paris. Follow her on Twitter @Susan Brodie and here at Classical Voice North America on her hosted column
Toi Toi Toi!!
Twitter
‘Fellow Travelers’: Credible Romance As Eclectic Opera
Susan Brodie
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January 16, 2018
New ‘Tosca’ Launch At Met Survives Sweeping Exodus
Susan Brodie
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January 1, 2018
Manze Infuses ‘Messiah’ With Expressive Detail
Susan Brodie
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December 16, 2017
Seeking Eurydice, Via The Enigmatic Lens Of Sciarrino
Susan Brodie
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October 25, 2017
Kaufmann Excels In Problematic Paris ‘Don Carlos’
Susan Brodie
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October 19, 2017
Van Zweden Gives Taste Of Things To Come At NY Phil
Susan Brodie
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September 29, 2017
It’s ‘Die Winterreise,’ But Reimagined And (Up)Staged
Susan Brodie
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August 15, 2017
Shower Of Roses For Nézet-Séguin’s ‘Dutchman’ At Met
Susan Brodie
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April 28, 2017
Music From Japan: Sounds Are Novel, Style International
Susan Brodie
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February 24, 2017
Ah, Venice! Fest At Carnegie Is A Feast Of Entertainments
Susan Brodie
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February 9, 2017
A Paris Opera 2017-18 Season to Enchant
Susan Brodie
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January 26, 2017
Passionate Duet: Mascagni Paired With Hindemith
Susan Brodie
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December 7, 2016
Met’s New ‘Tristan’ Sets Bright Voices Against Dark View
Susan Brodie
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September 28, 2016
Coming Events: Festival Bounty Awaits In France
Susan Brodie
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May 24, 2016
‘Hopper’s Wife’ Sets NYC Opera 2.0 On Promising Course
Susan Brodie
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May 2, 2016
‘Legnano’ And ‘Aida’ Grandly Complete Verdi In Sarasota
Susan Brodie
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March 22, 2016
Modernist ‘Parsifal’ Redefines Grail In Quest Across Time
Susan Brodie
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March 4, 2016
Russian Tenement Lends New Twist To ‘Katja’s’ Anguish
Susan Brodie
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February 12, 2016
‘Dog Days’: Future Bleak For World, Bright For Opera
Susan Brodie
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January 13, 2016
‘The Pearl Fishers’ Casts Impressive Net At The Met
Susan Brodie
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January 7, 2016
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