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Classical Voice North America
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Around the U.S.
Sweeping Change Puts An Irresistible New Face On Spoleto Festival USA
Aspiring Composers Get A Leg Up; Audiences Are On Their Feet,…
Barrage Of Jazz Riffs Deepens The Blue In Gershwin’s ‘Rhapsody’
Love, Light, Letters: Song Cycle Embraces Painter, Photographer
Salome Is Fraught Sum Of Her Younger Selves In Met’s Radical…
Canada
Versatile Baritone Wins Prize For Art Song In Montreal Competition
Payare, Going Big, Links ‘Erde’ Of Mahler, Earth Of Indigenous Cultures
In An Operatic Spectacle Of Courtly Amusements, Two Biblical Bros Bond
Amid Candy Hawkers, Spirited New-Music Fest Offers Plenty Of Crunch
Soft Were The Sounds, Their Meaning Tacit, That The Takács Spun
World
To Be ‘Hamlet,’ Or Not? Spin On An Early Opera Bends…
‘Die Frau Ohne Schatten’ Sinks In A Cumbersome Production Sans Taste
Young Stars Performing Youthful Compositions Adds Up To Rare Delight
In A Land Of The Tallest And The Mostest, This Festival…
Seen In Royal Intimacy, Donizetti’s Belle ‘Fille’ Conquers French Hearts
Digital
Beyond ‘Carmen’: CDs, Book Widen Perspective On Bizet’s Creative Life
Artfully Manic Delivery Of Comic Opera Proves Salieri Was No Joke
Percussion Recording Becomes Memorial For Featured Tabla Master
Pulled From Shadows: ‘Simon Boccanegra’ As Verdi’s Original Vision
Not For End Of Time: With Nod To Messiaen, A Quartet…
Perspectives
On A German Sojourn: Mixed Night Of Mahler, Mozart In A…
‘What Belongs To You’ Captures Critics’ Prize For Best New Opera
For Jerusalem Quartet, Shostakovich Cycle Is Dive Into Elusive…
Son Of Native American ‘Shell-Shaking Culture’ Talks Roots On Podcast
Schiff On His Boycott: ‘If I Were A U.S. Citizen, I…
Our Critics’ Picks
Aspen Festival To Mark 75 Years As Wellspring Of Musical Nourishment
Tennstedt Bio Reveals Great Maestro At Odds With World and…
35 Years On, Adams’ ‘Nixon In China’ Gets New Looks In…
Amid Flourish Of Horns, Maestro Extends Chase Of Haydn’s Symphonies
American Opera, Voices Flavor Creative Mix On Stages Across Europe
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International
To Be ‘Hamlet,’ Or Not? Spin On An Early Opera Bends Knee To The Bard
Matthew Gurewitsch
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May 25, 2025
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