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Classical Voice North America
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Around the U.S.
Duo Recital By Siblings Mirrors The Rare Story Of A Prodigious…
Rhinestones On Rhine: It’s Grand Ole Wagner With Tennessee Twist
Yanks At Fontainebleau: An Embracing Concert Celebrates A Centenary
Wynton Marsalis Pens Concerto That Swings, Boogaloos — For Tuba!
Adès In Full Bloom: His Epic Ballet ‘Dante’ Sees Great Promise…
Canada
Orchestra Breaks Mold With Adventures Into New Worlds Of Music
Toronto Relays: Baton Passed Around As Five Directors Cross Podium
In Pursuit Of A Cycle, Confronting Gloom Of Sibelius’ 4th Symphony
‘St. John Passion’ For 1: Busy Tenor Sings It All; He…
Scaled Back, Brahms’ ‘German Requiem’ Still Makes Its Grand Effect
World
Iceland’s Dazzling Hall Bathes Concert Life In Sea Of Northern Lights
Saga Of Prague’s Grand Theaters Played Out As Gilded Historical Drama
Quest For Piano Leads Writer To Adventures, Stories Across Siberia
Callas, Resurrected, Dies Again (And Again) In Seven Famous Roles
Toasts And Standing O: Berliners Citywide Hail Live Music’s Renewal
Digital
2 Excursions Through Shadowy ‘Pelléas’ With Different Ideals In View
Florence Price Revival Points To Musical Trove With Stature Of Legacy
2 New Bach Passions From Gardiner, Pichon Enhance Digital Options
DiDonato Album ‘Eden’ A Rewarding Return To ‘Essence Of Our Being’
An Opera On The Rituals Of Marriage, Refitted To The Scale…
Perspectives
Reich In Many Words: Images Of The Artist, Still Awaiting The…
Confessions (And Tips) From An Unrepentant Collector Of Toscanini
A Pianist Transcribes Her Polytonal Life As Mesmerizing Memoir
Like Hymns To Ukraine: Music’s New Meaning In Time Of A Personal…
Composer, Conductor: This Couple Rhymes In Shakespeare Couplets
Our Critics’ Picks
A Conductor’s Practical Book On Making A Life Of Waving One’s…
Berliners Conjure Gold From Musical Pantheon Of Weimar Twenties
Pärt’s New Voice Emerges On Disc Of Recent Works
‘Dido’ In COVID: Intimacy On Film, At A Safe Distance
Obscure Telemann Opera ‘Miriways’ Sparkles On Disc
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David Schiff’s Complex Musical Lines Lead To Friendly Guy Next Door
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Piano Concerto Reviews - Mason Bates
on
Bounding Across Styles, Bates Piano Concerto Honors Era Of Virtuoso
Arthur Kaptainis
on
‘St. John Passion’ For 1: Busy Tenor Sings It All; He Conducts A Bit, Too
Dr. Joseph DiLuzio, Ph.D.
on
Ormandy Philly Legend: Outsized Image Forged From Undersized Gifts
"Sweet Land" - Minimalismore
on
‘Sweet Land,’ A Searing Revision Of U.S. History, Wins Opera Of The Year
«Sweet Land» - Minimalismore
on
‘Sweet Land,’ A Searing Revision Of U.S. History, Wins Opera Of The Year
An Ineffable Tone Poem Captures How Wildfire Consumed Small Town | Classical Voice North America
on
In A Visceral First, Met Opens With Black Opera About Child Sex Abuse
John F Fleming
on
Bernard Haitink: Master Of Mahler And Bruckner Left Indelible Memories
Dr. Joseph A. DiLuzio, Ph.D.
on
Ormandy Philly Legend: Outsized Image Forged From Undersized Gifts
Dr. Joseph DiLuzio
on
Ormandy Philly Legend: Outsized Image Forged From Undersized Gifts
Dr. Joseph A. DiLuzio
on
Ormandy Philly Legend: Outsized Image Forged From Undersized Gifts
Jeff Winslow
on
New Maestro Steps Up, With A Little Boost From Hall’s Reinforced Sound
Craig URQUHART
on
Bernstein’s Mass, Once Written Off, Now Enjoys Embrace Of A New Era
Glimmerglass Al Fresco: Opera As Mix Of Dicey Weather, Sunny Voices | Classical Voice North America
on
Negro Opera Birthplace Rescued By A Visionary With Preservation Goal
Michael Fabiano impulsa la formación de jóvenes cantantes | Beckmesser
on
Tenor Parlays His Craft In Dual Aid To Students, Emerging Professionals
Rick Ginell
on
Ormandy Philly Legend: Outsized Image Forged From Undersized Gifts
Martin
on
Ormandy Philly Legend: Outsized Image Forged From Undersized Gifts
Tenor Parlays His Craft In Dual Aid To Students, Emerging Professionals « Michael Fabiano
on
Tenor Parlays His Craft In Dual Aid To Students, Emerging Professionals
Susan Brodie
on
On Foot And In Song, Retracing Stony Course Of Blacks In New York
Nancy Malitz
on
Anthology Recaptures ‘Charm, Distinction’ Of Soprano Lotte Schöne
Murray Aronson
on
Anthology Recaptures ‘Charm, Distinction’ Of Soprano Lotte Schöne
Hugh Robertson
on
Immersion Affirms Japan’s Claim To Great Orchestras
Janos Gereben
on
SF Opera’s ‘Figaro’ Is Early American: Susanna With Fife
James Jorden
on
SF Opera’s ‘Figaro’ Is Early American: Susanna With Fife
Susan Brodie
on
Puccini’s Heroine As Dancer Adrift In German Staging
Sol Gittleman
on
PBS Begins Lively Jaunt Through Music And Culture
ken vermes
on
PBS Begins Lively Jaunt Through Music And Culture
MWnyc
on
Lang’s ‘prisoner:’ Freedom Chained In ‘Fidelio’s’ Prism
Ellen Bacon
on
Robust Americana: Hampson Explores Chicago Art Song
Michael Fine
on
A Bouquet Of New Discs From Utah And Pacific Coast
Jonathan Degann
on
Philip Glass’ New Bowie Symphony Mismatches Styles
Dennis Wentz
on
Whimsy Wields Sharp Sword In Mixed ‘Siegfried’
Editor
on
Muhly’s ‘Marnie:’ Fresh, Fascinating Despite Its Flaws
Ron Pollard
on
Muhly’s ‘Marnie:’ Fresh, Fascinating Despite Its Flaws
Frederick Smith Jr
on
Monterey Jazz Salutes The Year Of The Woman
Robert Wesley Mason
on
‘Rocking Horse’ Is Thrilling Winner At Opera Saratoga
t bell
on
Extra! Breaking News Adds Fizz To Rare Rossini Opus
Mike Lang
on
Unreleased Coltrane CDs Stir Up The Jazz World – Again
fildivoce
on
Burning With Love And Fear Among The Tumbleweed
nimitta
on
Kissin Takes Up The ‘Hammerklavier’ And Hits The Road
Peter Bogdanoff
on
Mahler As Video: High-Tech Gilding Of ‘Das Lied’s’ Lily
Karen
on
Hertzberg Wins New Opera Honor For ‘Wake World’
Rodney Punt
on
Tilson Thomas Masterminds Bold New Work Menu
Rodney Punt
on
Bernstein’s ‘Mass’: Passion Affirmed, If Not Relevance
Sheila Swartzman
on
For Beleaguered San Antonio SO, Hope In A Restart
Jim Berg
on
For Beleaguered San Antonio SO, Hope In A Restart
Taddy McAllister
on
For Beleaguered San Antonio SO, Hope In A Restart
John Koshak
on
Pair Of California ‘Candide’s Prove No Two Are Alike
Dr. Suzanne M. Steele
on
Solemn Memorial Concert Reflects Afghanistan War
Randolph Roller
on
‘Ring’ At Midpoint: Love Is Reflected In A Harsh Mirror
Douglas Kurz
on
Trifonov Explores Facets, Echoes Of Chopin For Tour
Rodney Punt
on
Muti/Chicago Play it Safe with All-Brahms at Disney Hall
Susan B
on
Old Is New Again In Cincinnati’s Reborn Music Hall
Shaun
on
Old Is New Again In Cincinnati’s Reborn Music Hall
Paul J Stanbery
on
Old Is New Again In Cincinnati’s Reborn Music Hall
Jennifer Thomas
on
Old Is New Again In Cincinnati’s Reborn Music Hall
Nancy Malitz
on
New ‘Norma’ Surges With Star Power, But Lighting’s Dim
Matthew Gurewitsch
on
New ‘Norma’ Surges With Star Power, But Lighting’s Dim
KEIKOBAD
on
In ‘Meistersinger,’ Bayreuth Fest Has Its Prize Winner
maria Lentz
on
In ‘Meistersinger,’ Bayreuth Fest Has Its Prize Winner
Rodney Punt
on
Power Of Berlioz Requiem Endures In Dutoit’s Hands
Rodney Punt
on
Power Of Berlioz Requiem Endures In Dutoit’s Hands
Luba Horvath
on
Vivid, Theatrical ‘St. John Passion’ Keys Bach Festival
Hampton Bumgarner
on
Desert Chorale Sparkles In Trek Back Across Time
Jane Brockman
on
It’s A Hit!
Vincent Lombardo
on
SF Symphony Goes Multimedia With ‘Klagende Lied’
Melinda Sullivan
on
Campra’s ‘Carnaval’ Is A Musical Circus On Teeming Stage
robert
on
In Wang’s Bartók, An Entrée In Need Of More Seasoning
Stephen Cohn
on
Power Of Berlioz Requiem Endures In Dutoit’s Hands
Laura Kennelly
on
Mist, Mystery And Magic In Colorful, Soft-Edged ‘Pelléas’
Laura Kennelly
on
Mist, Mystery And Magic In Colorful, Soft-Edged ‘Pelléas’
J Grossmann
on
‘Incantesimi’ Plays With Spells, But Magic Is Missing
Laura Mazel
on
Bolcom’s ‘Dinner’: Worst Of Times, But Vibrant Opera
James Jorden
on
New Met ‘Rusalka’ Reflects Tradition In Surreal Images
Laurel McAfee
on
At San Diego SO, An American Fest And Maestro Hunt
Linda Rose
on
Starry Cast Joins Nézet-Séguin In Fast-Paced ‘Figaro’
Sanford Rothenberg
on
‘Guillaume Tell’: Met Brings That Apple To A Vocal Polish
Patrick C Byrne
on
Lackluster Staging Undercuts Strong Singing in ‘Norma’
Dominic Norris
on
Re-issue Of Solti ‘Ring’ Affirms It’s Still Benchmark
Dennis Ramos
on
Wry Spirit Rules As Chicago Lyric Launches Its ‘Ring’
Louis Levesque
on
Nézet-Séguin Triumphant In Montreal Return
Martin Bernheimer
on
Dausgaard Makes Fervent Case For Mahler-Cooke 10th
Johanna
on
The Tragic Visage Of Lachenmann’s ‘Little Match Girl’
Johanna
on
The Tragic Visage Of Lachenmann’s ‘Little Match Girl’
Lindsay Shields
on
Montana Grandeur Cues Harmony Of Music, Sculpture
James Dick
on
At Round Top Fest, Youth And A Guru Forever Young
Rodney Punt
on
Get Cool, Dude: LA Phil’s Hip Boss Savors Bernstein
Marie Wadden
on
In Newfoundland, An Opera Honors Regiment of WWI
Rodney Punt
on
Women Composers Reign At Subdued 70th Ojai Festival
Rodney Punt
on
Women Composers Reign At Subdued 70th Ojai Festival
William Delia
on
Nelsons, BSO Tap Soulful Depths Of Shostakovich 10th
Stephen Cohn
on
Women Composers Reign At Subdued 70th Ojai Festival
desiree mays
on
Women Composers Reign At Subdued 70th Ojai Festival
Tyran Grillo
on
The Tragic Visage Of Lachenmann’s ‘Little Match Girl’
Laura Kennelly
on
The Tragic Visage Of Lachenmann’s ‘Little Match Girl’
Jason Victor Serinus
on
Canada Tempest: Debating Critic’s Role In Our Time
Mary Elizabeth Nordstrom
on
Coming Events: American Masters Key Festival Fare
Richard Kroner
on
At Age 92, Pressler Remains A Wizard In Magical Recital
Jackie Lockwood
on
Mollicone-Harnick One-Act Opera Salutes Lady Bird
jack
on
Rihm’s Thorny Concerto Leaves Listener In Lurch
jack
on
Rihm’s Thorny Concerto Leaves Listener In Lurch
Mike Painter
on
Encounter In Cage: Kraft’s Ambitious Timpani Concerto
Kjersti Durow
on
Eclectic Fest By The Neckar, From Brahms To Jazz
Malcolm Blair
on
Coming Events: 88 Keys Are Champs At Gilmore Festival
Peter
on
‘Tristan und Isolde’ As Stark Love In Repressive Times
Jason Victor Serinus
on
Smart New Spaces Open At SF Opera And Chapman U
Douglas Clark
on
‘Tristan und Isolde’ As Stark Love In Repressive Times
Earl Love
on
‘Legnano’ And ‘Aida’ Grandly Complete Verdi In Sarasota
Woodruff C.O. Lockouts
on
Lockout Memories Fade As Atlanta Looks To Future
Rodney Punt
on
Font Of Lyricism Flows Again In New Floyd Opera
Rodney Punt
on
Salonen’s ‘Pelléas’ Frames Drama Of Rarefied Finesse
Rodney Punt
on
Salonen’s ‘Pelléas’ Frames Drama Of Rarefied Finesse
Graham Johnson in London, Engalnd
on
Salonen’s ‘Pelléas’ Frames Drama Of Rarefied Finesse
Rodney Punt
on
Salonen’s ‘Pelléas’ Frames Drama Of Rarefied Finesse
Rodney Punt
on
Salonen’s ‘Pelléas’ Frames Drama Of Rarefied Finesse
Stephen Cohn
on
Salonen’s ‘Pelléas’ Frames Drama Of Rarefied Finesse
Douglas Griffeth
on
Salonen’s ‘Pelléas’ Frames Drama Of Rarefied Finesse
Mark Pullinger
on
‘Eugene Onegin’ By The Book, But As Pastoral Romance
Earl Love
on
After Too Many Lifetimes, A Life Hollowed Out
Leslie
on
‘The Pearl Fishers’ Casts Impressive Net At The Met
Laurent Brooks
on
‘The Pearl Fishers’ Casts Impressive Net At The Met
Rodney Punt
on
The Chairman Turns 100
Rodney Punt
on
The Chairman Turns 100
Mark Stenroos
on
Vinyl LP Revival: Sonic Gold From Classic Grooves
Rodney Punt
on
Apple Music Test Drive Reveals Classical Quirks
J Know
on
It’s Opera Spoofa In Mash-Up From Heggie, McNally
Rachmananon
on
Tokyo’s Big Eight Orchestras Flash Bigtime Qualities
Somerset Rae
on
‘My Lai’ Monodrama Conjures Horror Of Vietnam Massacre
Izolda
on
Opulent Setting For High-Stakes Quiz Show
Goline Doremus
on
Chicago’s Lyric Casts Opera Lure Via Social Media
Wickie Bowman
on
Cav/Pag Miss/Hit In Met’s Debut Of McVicar Stagings
Nancy Malitz
on
Andrew Patner, Noted Arts Critic, Dies Suddenly
Paul E. Robinson
on
Andrew Patner, Noted Arts Critic, Dies Suddenly
Editor
on
Amid Controversy, Met Affirms Merit Of ‘Klinghoffer’
Mike P
on
Amid Controversy, Met Affirms Merit Of ‘Klinghoffer’
Guytano Parks
on
Piccolo Concerto Takes Soloist To Fetching Heights
Mehdi Hasan
on
New Gilmore Star Blechacz To Join Silver Celebration
Stephen H. Owades
on
Bruch’s Oratorio ‘Moses’ Displays Tablets of Cliché
Willard Spiegelman
on
Campus Concerts Rebuff Notion Of Classical Decline
Frito
on
High-Tech Death Is Brave New World Of Machover Opera
Stephen Cohn
on
Suddenly Schubert Is The Song On Everyone’s Lips
Rodney Punt
on
Suddenly Schubert Is The Song On Everyone’s Lips
Rodney Punt
on
Suddenly Schubert Is The Song On Everyone’s Lips
Fernando Marín
on
Suddenly Schubert Is The Song On Everyone’s Lips
Ricardo
on
Wuorinen’s Opera Misses Tenderness Of ‘Brokeback Mtn.’
Rodney Punt
on
Wuorinen’s Opera Misses Tenderness Of ‘Brokeback Mtn.’
Somerset Rae
on
Farewell to the great Jim Hall
Kate Cowie
on
Bedeviled ‘Ring’ Seemed Doomed, Then Curtain Rose
Jill Strong
on
Bedeviled ‘Ring’ Seemed Doomed, Then Curtain Rose
Robert Woodley
on
Bedeviled ‘Ring’ Seemed Doomed, Then Curtain Rose
Orrin Howard
on
‘Magic Flute’ Waxes A Bit Too Loony As Silent-Movie Toon
JoeG
on
LA Phil, Salonen Zap Tradition for Disney Hall Tenth
Classical Voice North America
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